Writing Worlds: Conversations About World Building
Aug 5, 2026 · 1 hr 6 min · 14 segments
Our guest on Writing Worlds today is the brilliant and acclaimed science fiction author Claire North. An incredibly prolific and imaginative writer Claire's novel 'The First Fifteen Lives of Harry…
Claire NorthGuestChris GregoryHost
Emily InkpenHostRegular listeners to this show will know that each episode of this humble but discreetly ambitious show has a world building topic.
So, Claire, what was it about this potential seven-episode epic miniseries topic that interested you so much as a writer and a worldbuilder?

And I think as a genre, we have grappled with a history of sexism being baked in, racism being baked in, all the good bigotries being baked in for a very long time.

And we are doing better, and I think in many ways we should pat ourselves on the back for doing better faster than a lot of other genres.

I love crime, but the principle of sexual violence against women as just page one material remains fairly universal in a lot of crime.

So I think that the genre I love has been grappling with the big isms and how it relates to them, and I think that's important and interesting and cool.


And the world right now, in case you've noticed, is a dumpster fire of nascent fascism and climate crisis.

And I think that I'm not going to go so far as to say that writers have a responsibility to make everything about fascism and the climate crisis.

And I think it's almost difficult to live right now in the world as a conscious citizen and not think, everything's on fire.

Like, when I was growing up, I was promised this kind of post-fall of the Cold War, neo-capitalist dream in which everything was fixed, feminism was sorted, and we'd all frolic our way to kitchen extensions.
Regular listeners to this show will know that each episode of this humble but discreetly ambitious show has a world building topic.
So, Claire, what was it about this potential seven-episode epic miniseries topic that interested you so much as a writer and a worldbuilder?

And I think as a genre, we have grappled with a history of sexism being baked in, racism being baked in, all the good bigotries being baked in for a very long time.

And we are doing better, and I think in many ways we should pat ourselves on the back for doing better faster than a lot of other genres.

I love crime, but the principle of sexual violence against women as just page one material remains fairly universal in a lot of crime.

So I think that the genre I love has been grappling with the big isms and how it relates to them, and I think that's important and interesting and cool.


And the world right now, in case you've noticed, is a dumpster fire of nascent fascism and climate crisis.

And I think that I'm not going to go so far as to say that writers have a responsibility to make everything about fascism and the climate crisis.

And I think it's almost difficult to live right now in the world as a conscious citizen and not think, everything's on fire.

Like, when I was growing up, I was promised this kind of post-fall of the Cold War, neo-capitalist dream in which everything was fixed, feminism was sorted, and we'd all frolic our way to kitchen extensions.
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