Which Decade Is Tops For Pops?
Jul 22, 2026 · 30 min · 9 segments
A playlist concept is hatched, a sponsorship deal is proposed, zealotry is slammed, a meaningless genre is dissected - oh, and there are some results. * * * Hosted on Acast. See…
Nick ParkhouseHostSo, I don't think this will come as much surprise... fairly firmly in last place, earning minus one point to the 2010s.
Actually, more people put Blurred Lines in the meh zone than they put it in last place.
John says, So it resides in meh, which probably most accurately represents my opinion of the song, if you remove any consideration of the morals of the lyrics, if such a thing is possible.
But what was Marvin Gaye's estate thinking about messing about with this and giving it undeserved extra notoriety? Plenty of songs sound rather like plenty of disco tracks.
Being on Twitter has been an eye opener in terms of finding out how women think.
One of the first accounts I discovered was one called Everyday Sexism, where women shared, among other things, their experience of being grabbed against their consent in clubs.
James, Centuries of Sound, put it second, but he says, Thank you for the discussion about this genuinely amazing bit of podcasting.
I started off agreeing 100% with Trev, but ended up taking a lot from Nick on board.
I will maintain that this is not in any way an outlier in terms of the misogyny of a lot of pop music around this time.
However, the fact that it was such a huge hit around the world does make the fact that it was singled out as a scapegoat make sense, and the backlash generated has done a lot to root out that misogyny.
It's hardly a sui generis piece of art, and we haven't really lost anything of the culture by consigning it to the bin.
It's one of the better songs in a weak week, and I'm sure it will be getting a load of minus ones elsewhere, so go on.
And I will add, a lot of the comments said very nice things about how the three of us handled that very, very tricky discussion about blurred lines, which I found gratifying.

So, I don't think this will come as much surprise... fairly firmly in last place, earning minus one point to the 2010s.
Actually, more people put Blurred Lines in the meh zone than they put it in last place.
John says, So it resides in meh, which probably most accurately represents my opinion of the song, if you remove any consideration of the morals of the lyrics, if such a thing is possible.
But what was Marvin Gaye's estate thinking about messing about with this and giving it undeserved extra notoriety? Plenty of songs sound rather like plenty of disco tracks.
Being on Twitter has been an eye opener in terms of finding out how women think.
One of the first accounts I discovered was one called Everyday Sexism, where women shared, among other things, their experience of being grabbed against their consent in clubs.
James, Centuries of Sound, put it second, but he says, Thank you for the discussion about this genuinely amazing bit of podcasting.
I started off agreeing 100% with Trev, but ended up taking a lot from Nick on board.
I will maintain that this is not in any way an outlier in terms of the misogyny of a lot of pop music around this time.
However, the fact that it was such a huge hit around the world does make the fact that it was singled out as a scapegoat make sense, and the backlash generated has done a lot to root out that misogyny.
It's hardly a sui generis piece of art, and we haven't really lost anything of the culture by consigning it to the bin.
It's one of the better songs in a weak week, and I'm sure it will be getting a load of minus ones elsewhere, so go on.
And I will add, a lot of the comments said very nice things about how the three of us handled that very, very tricky discussion about blurred lines, which I found gratifying.

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