Jun 29, 2026 · 39 min · 11 segments
Van and Charles keep the volume down to recap the final four episodes of ‘The Bear’ Season 5. (0:00) Intro (1:00) Instant reactions (7:25) Carmy’s ending (9:40) Marcus and Syd (16:15) Did the series run for one season too long? (22:29) The lasting legacy of ‘The Bear’ (26:45) The Claire of it all (30:41) Did the show get it right in the series finale? Email us! [prestigetv@spotify.com](mailto:prestigetv@spotify.com) Follow us on [IG](https://www.instagram.com/prestigetvpod/) and [TikTok](https://www.tiktok.com/@prestigetvpod?is_from_webapp=1&sender_device=pc)! Subscribe to the [Ringer TV YouTube channel](https://www.youtube.com/@Ringer-TV) here for full episodes of ‘The Prestige TV Podcast’ and so much more! Hosts: Van Lathan and Charles Holmes Producers: Kai Grady and Devon Renaldo Additional Production Support: Justin Sayles and Jacob Cornett Learn more about your ad choices. Visit [podcastchoices.com/adchoices](https://podcastchoices.com/adchoices)
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[upbeat music]
Welcome to the Prestige TV Podcast.
I'm Charles Holmes, he's Van Lathan.
Together we're known as the Midnight Boys.
Woo.
And we are back for the series finale culmination of The Bear.
It has finally happened after five seasons.
Uh, the beef, The Bear, has narratively closed, even if, spoiler alert, the story rolls on.
Van, they, they decided to do a big gamble this season.
Everybody's like, "Oh, this reminds me of The Pit.
The structure of this is one night in the restaurant.
Can they pull it off? Can they work together?" And in the back of my mind I was like, "Are they gonna land this plane?" And I cannot lie, once episode seven hit, I was like, "They did it."
They did it.
They did it.
I was, I was actually, I was getting chills.
I'm like, "Okay, this is why we watch TV.
This is why you invest five years of your life.
This is why we love these characters." Seeing them finally get to the summit was some- I did not realize that this show could still make me feel the same way that I felt in season one, season two, in terms of just, like, what it is to see people achieve their dreams in this way.
And they did something daring.
They ended the show with, by taking Carmy out of it.
Yeah.
Carmy had to go find something different.
He had to find fulfillment in a different way.
He had to leave all of that.
You thought that this show was the origin story of Carmy as the best chef in the world, but it was really kinda the origin story of Carmy as a h- healthy person, which is, that journey is kinda just beginning.
What does he say, to, uh, to break patterns, you have to break patterns?
Yeah, to break patterns, you have to break patterns.
And, like, it, not everyone is suited for the amount of stress and amount of strife and strain that comes along with doing the thing that you actually might be great at.
Sometimes health is the path of least resistance, and least resistance for him is doing something totally different.
Maybe he cooks for his family at some point.
Maybe he cooks for people in his life at some point.
But doing it in the way that he was doing it was just gonna eat him alive, and episode seven showed that from him, showed that he could be a part of a team, but also showed that the healthier place for Carmy is outside of the restaurant.
I mean, to your point, that was season one, where he comes back to The Beef and he sees a vision of this place that no one else can.
And I think in a lesser show, they would end on episode seven.
They would end on the thing finally happened.
This man finally achieved his dreams.
And instead of that, it does the more difficult, naughty thing, which is like, yeah, you can achieve your dreams in real life.
There's still something after, and maybe that thing you were chasing and you are achieving is not actually what's going to make you a fully self-actualized person.
Because what I love about this, and we're gonna jump around a lot, is that scene where he tells Syd that they got two stars.
Syd goes back to cooking and the burner, and they shoot it in that same way that we've seen Carmy, where that clicking sound-
Mm-hmm
... that igniter sound of the stove represents a certain type of anxiety and the walls closing in.
And for the first time in the show, Syd does something that Carmy almost can't, which is she runs out and hugs him.
Mm-hmm.
And there's always been that, that thing in the show is like, "Is this a love story?" And I'm like, "Oh, w- this always was a love story."
Yeah.
It was not a romantic love story, but it was Carmy realizing in Syd that actually for me to be my full self, I have to, like, not only step away from this woman, but allow her to take on something because I can't.
Yeah.
This, this is her thing.
Yeah.
It's, like, not really your thing like you thought.
Like, it, man, it, some people are Luke and some people are Obi-Wan.
Yeah.
[laughs]
You know what I mean? And Obi-Wan at one point was Luke.
Obi- Wa- Obi-Wan at one point was the person that everybody was getting ready to go out and live his life as a Jedi.
Then what you realize is the greatest contribution you have might be, uh, getting the greatest Jedi of all time ready to go do their thing.
It might be giving back.
Um, as soon as this show stopped being oriented around Carmy, the depth of the show, and that was by design, by the writers I should say, particularly this season, this, it wasn't oriented around Carmy anymore, and the show got deeper.
It got richer, it got fuller-
Yeah
... and it got easier to see where they were going and what the purpose of the show was.
The purpose of the show was to show, like, what family can build, like, what, what can be built when you invest into people.
We had these, um- These sort of examples early on with Carmy being around these chefs.
We have this idea of executive chefs being these people who are consumed with this, who can't stop doing it.
This is their whole life.
Wake up in the morning early to get fish, look at the fish all day.
They make a restaurant, they make a dish.
"Ah, I don't like this.
This sucks." All of this stuff.
And at, at some point, the structure that was put into The Beef and the discipline that was put into it was going to be the thing that made it worth being there, and that's not what made it worth being there.
What made it worth being there is the questions that it answered for all of the, the people that were involved.
The fact that it helped them develop as human beings, that it helped them sometimes find love, answer questions about their life, reconnect with family, like connect with other people.
That's the thing that's gonna keep that entity running for a long time, not because Carmy is the dopest cook or 'cause they make the best food in Chicago.
And like, I would've never thought that The Bear was going there.
Same.
I would've never thought that The Bear was going there.
Maybe it always was, or maybe it's something that they learned along the way.
It was heartbreaking, 'cause it was l- one of the most realistic scenes.
Mm-hmm.
Right.
When Richie reveals that he's never been on a plane or out of the country, that revealed something to me not only about him as a character, but what Carmy was returning to.
Mm.
Similar when, uh, his mother was going through his journals of, like, New York and the French Laundry, and seeing, like him point and be like, "I stayed on that boat in Copenhagen." You're realizing that for Carmy, he's returning with all of this knowledge about the world to people who haven't been able to travel that.
Even Syd was like, she hasn't been that well-traveled.
And I thought that it was so interesting to end on that note of Carmy talking to the, uh, the leader of that architecture firm-
Mm-hmm
... and realizing the actual joy was of him creating a family again.
Yeah.
And, like, giving them the tools and empowering them that they're the CDCs, they're the head chefs.
They can go to the Japan.
And I was like, I am glad that they ended up there.
I'm glad they didn't do the thing where it was like, Carmy does the buzzer beater.
He makes the brioche.
He's the hottest fucking chef.
He has to stay in this kitchen, 'cause they can't survive without him.
I love the narrative-
Did you think he would change his mind and stay?
I was so scared when he's getting emotional talking to that woman in the office.
Mm-hmm.
When he's realizing how much that day, where they finally all come together and sing, I was like, please don't do, don't do the last-minute, "Actually, I need to go back" to The Bear.
Mm.
But what I also think the reason why I was almost positive that they wouldn't do that is because Carmy is so resolute, not only in his decision, but he keeps going to Syd, "That's your two stars."
Hmm.
He's like, he is very much like, "This is something that you did," which always made me be like, I'm l- he's saying, "I don't need the stars." For someone, like, for his journey, if you think about it, he's already been where Syd has been at.
Right.
And it's destroyed him.
What sense would it make for us to have watched five seasons of this, where he's like, "Actually, stars are really, really important"? [laughs]
Right, right, right, right, right.
If you know what I mean.
Yeah.
Where y- like, to, 'cause also, it, what it proved to me was the reason why the stars can be important for Syd is because when Carmy's like, "The difference between you and me is when I get overwhelmed, I yell at everyone around me.
You come out here and you let it out by yourself."
Yeah.
"You don't take it out." I'm like, Syd's the type of person where the stars are not going to go to her head.
Right, and she's also the type of person that everybody is going to work freely, better, maybe not perfectly.
Even the errors are gonna be useful.
She's gonna trust you more, which means there will probably be more mistakes.
Yeah.
But those mistakes are going to be out in the open.
They're gonna be useful mistakes, because she's gonna be able to correct.
Carmy is the kinda guy that kept you on edge so much to where even though he wasn't, like, the sort of fire-breathing dragon, um, that we remember him as now, it's just the intensity that he brought was sometimes suffocating to people, and he didn't let them be their full selves.
So he's learning or has learned about himself, and we've also learned that for that particular restaurant, she's the much better leader.
What was interesting to me about the latter half of this season is they give both Syd and Marcus, who are obviously going to be the inheritors of this thing-
Right
... with Marcus having won Best New Chef, Syd being in the paper, getting the two stars, being the head chef.
It was very interesting that this season gave them both moments where they became little Carmys.
Yeah.
Where the structure of this place was like, oh, it's not that Carmy was born, like, a megalomaniac, "Fucking, I, you gotta do this." It's like, no, the pressure of the star system and the accolades and needing to get the food out on time can turn you into a monster.
That's what I tell- yeah, like, he was created that way.
Yeah.
Yeah.
And seeing both of them in different wa- seeing how Marcus and Syd, in their own lives and in their own careers, got up to that precipice and had to be like, "Whoa."
No, too much.
I got... 'Cause that, to me, is also true to life, where it's like, it's not like you go in one day and you're like, "I'm a fully realized person.
I'm not gonna be toxic in the workplace.
I'm not gonna get it, let it get to me." There's a moment in, um, this season where they're just like, "Okay, now we have to do it all over again." [laughs]
Right, yeah.
Like, there's a whole, like, I'm like, yeah, you achieve, like, excellence this one night.
All right.
Yep.
Bring it, you gotta bring it again.
I was like, oh.
Right.
So they're just at the beginning of something, while Carmy is at the end of something.
Yeah.
Did you think that the restaurant would close? So, early on I thought that they were getting us ready for the restaurant to close.
Yes.
I, in the, the first four episodes it very much felt like a funeral-
Yeah
... which is good writing, where I was like, this alm- because of the structure of the season, I was like, there's Michael Mann in this, there's heist movie in this, but there's also like a sports movie analogy-
Mm-hmm
... [laughs] where it was like, like this is our final game.
Right.
But then I was like, oh, no, that almost funeral aspect, in the latter half of the season I'm like, this is their final game with Carmy.
Mm-hmm.
And that's when I realized where there's a moment in the penultimate episode where Carmy drops the, what was the dish? It was like-
The, the lamb?
The lamb, yeah-
Yeah
... that, that he had created.
And it's this moment where he's about to melt down.
He's having all these flashbacks to when he was in the kitchen, and the mistakes, and the tr- they think that it's going to be the critic that's gonna give him the stars.
And that was the moment where I was like, oh, this place isn't closing.
Because they all, like Richie's like, "Hey, we got you." Everyone rallies around him.
Mm-hmm.
And Carmy has that final moment where he makes the brioche, where like Luca's like, "Dog, that's not even the first time I've seen him pull out something like this." I was like, oh, that was the writers, the creators, Christopher Storer, giving Carmy that final moment of like, hey, yo, you won the championship, but this is no longer your team.
Right, it's no longer your team.
In that moment, Carmy didn't need correction, he needed care, and that's what the entire restaurant needed from the beginning.
He thought that everybody needed correction, but what they needed was care.
They needed somebody to believe in them, to invest in them, to listen to them.
And so when he got that, it probably was the time in his life that he appreciated it the most.
Yeah.
Right? And then it was just, it's just so interesting to go from that, to go from him learning that lesson to him still making the decision to leave.
It's a ballsy choice.
It's a ballsy choice.
'Cause the big things that you set up for here are either, uh, the restaurant closing, um, Carmy leaving, or maybe something happening to someone, which would've been really cheap had they done that, right?
Yeah.
Sometimes shows do kinda crazy shit.
I really think, I really thought that everybody was gonna leave and go their separate ways, and ways, and be better as people.
But what I got in the brilliant seventh episode, and then, or the brilliant penul- penultimate episode, and then the last episode, which was kinda like a postlude almost-
Yeah
... like an epilogue.
What I got was this, like, this deep understanding of how well I know these characters.
Yep.
Like, I didn't realize how well I knew them.
Like, how well I knew them, how much they've changed.
Richie has changed as much as any character on television-
Yeah.
[laughs]
... ever.
To see him in a situation where he flying off to go do his thing.
He kinda almost got his girl.
A little-
No, he did-
Yeah
... 'cause Jess was, was right there-
Yeah, yeah, yeah, yeah
... on the plane.
And even that scene where he puts his finger on hers-
Yeah
... [laughs] and goes, "I still got it."
Right.
Yeah.
You, like, you, 'cause I wanted to ask you this.
What was genius about the latter half of the season is you knew what each character wanted.
Mm-hmm.
And they had created a moment where it's like we get to see Carmy have his buzzer beater.
We get to see Syd get to bring out that dish that she had made back in the first season, the one that had kinda put The Beef on, back on the map, the, uh, Coca-Cola short ribs.
Mm-hmm.
We got to see Marcus start a reconciliation with his dad.
And even someone like Ibra finally, like, get his moment of just like, oh, Carmy's like, "Yeah, do it." I thought that was also brilliant, where there was all of these balls in the air and I was like, wait, how are, like, how are you guys going to land this fucking plane? And to get to the end of the series where it's like, to your point, not only do I know these characters so much, I know what they want and I know how hard they've been fighting for this thing.
I can see the, like even with Tina, the season starts with Tina waking up at The Storm, being like, "This means so much to me.
Like, what am I without this?" I was like, oh, is her lesson gonna be that she'll be fine as a CDC, she could go anywhere? And it actually being that moment where Syd has to be like to Carmy, "She's got this."
Mm-hmm.
"We're going to send her dish out there."
Mm-hmm.
I was like, oh, that's-
And she got to call the shots.
She even know how to do it.
She was like, sitting down there and is like, "Uh, you guys can take it.
Say hi, Chef." Like, it just, like even that, like all of that stuff, watching her come into her own and all of that stuff was just, um, it really, really worked.
Yeah.
It really, really worked.
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Do you think that The Bear did itself a disservice by maybe going one season too long?
Yes.
What if...
Hmm.
Like, it, it, we, yes.
Where-
What if this season was the last season, and it was the last season?
If this season was last season, I do think people would be having a different conversation with it, because your biggest critique about late-stage The Bear, and weirdly, I think the penultimate episode-
Mm-hmm
... is poking fun at itself.
The, the penultimate episode is very, very meta, because they have that annoying couple who's back there.
The guy that's like, "Yes, chef.
Yes, chef."
Mm-hmm.
Or there's the joke about, um, I think it's Carmy's mom asks, "Are, are Carmy and-"
Yeah, yeah, yeah, yeah, yeah, yeah.
He's like, "Oh, we have theories." [laughs]
Uh-huh.
And it was like, I think that, what I loved about that episode was it was almost Christopher Storer.
I think The Bear could get so self-serious at points, and the previous ser- season got so self-serious, it almost felt like the penultimate episode was Christopher Storer being like, "We can have fun again."
Right.
"We can laugh again." Not only do I think this would've been better if it had one less season, I will say with this final season, I don't know how many people are gonna give it a chance, where it's like you do have to stay with the scenes.
'Cause it's almost-
You do
...
it is structured more like a movie than it is a season of television.
And it's, at times, at the beginning of this season, it wasn't always easy to watch.
Yeah.
It was, like, a lot of shit going wrong at all times, a lot of stress and strain on these characters.
We haven't even talked about Harry Lennix comes in, like, and plays Marcus' dad.
That stuff really worked for me.
Yeah.
It was very, very meaningful and moving to me.
Like-
Where he cuts the candle-
Yes, man
... and Carmy's there.
Goddammit.
Yeah.
It's like, who are you really cooking for? Like, the reason why this matters is 'cause that's, like, something that you do out of love for someone, but for him, he can, you know, uh, display his genius, and get...
Like, it's just this, this underlying theme of family continues to be hammered into The Bear.
Yeah.
And that's what, that's enduring for me.
I mean, even when, 'cause at times I was getting a little bit done with the facts of it all.
Uh-huh.
But even when fact did get that moment where Richie and everybody's super fucking nervous, like, "Goddamn, he's talking to, he's telling stories," but then you see, see he's charming, he's charming, um, who they think is the restaurant critic.
I was like, "Oh, shit.
Okay."
Mm-hmm.
They have, they have landed the plane on each and every single one of these characters.
And what I also think is kind of like a deft piece of writing, and this is what you can do when your show comes back every year, is that plot thread, I remember that plot thread of, like, when Richie makes it snow, and there's that guy sitting there who I'm like, "That's the critic.
That's the star critic," and we did not get it-
Mm-hmm
...
in that season.
All we got were the bad reviews.
Right.
And for them to bring up the fact that-
I had forgotten
...
I, here's the thing.
I knew that, like, instinctually, but to your point, I had forgot that that had never paid off.
I was just like, oh, I guess he had just written the review.
Well, when they, when they got the bad review, I, I, I kind of got confused between the review and the stars.
Yes.
Like, I was like, "Oh, they got a bad review.
Does that mean you don't get your star?" But I, those are two completely different things.
Yeah, those are, those are two con- completely different things.
But to your point, I, once it, like, pops back and that guy popped on screen, it was like, and he started talking about the snow, I was like, "Oh." So I went back to that episode, Scallops-
Mm-hmm
... to look at, and I was like, oh, I do remember, because this was the episode where Richie's on his fucking game.
Yeah.
You know what I'm saying? And, like, even Carmy's, like, pulling the sandwich, and he's, like, cutting it, and he's like, "No, we want them all to share it." Marcus makes the hot cocoa.
It's every...
And, like, even, um, Syd has her moment with the scallop.
And I was like, that to me is genius writing as well.
But, but, not to cut you off, but real quick, that is one of the episodes where you thought, you were sure that everything was gonna be okay.
Yeah.
You just knew that everything was gonna be okay, and then it wasn't okay.
[laughs]
So you thought you had already lost that battle, right? And then to know that everything was kinda okay the entire time.
Yeah.
I mean, not really, but in a way, you had already made your impression, you had already done this, and the rest of...
I don't know, it did, like, that was really, to me, something that they did really well.
I mean, but isn't that also true to most artistic endeavors, where if you're in the back, if you're in the back of house, if you're the person who's making the thing-
Mm-hmm
... you see all the warts, you see how it- ... fucking shitty yesterday was, today was, last week, last month was.
But when you're truly doing it for the love and you're on top of the game, the people in the front of house can't tell.
Yeah.
And I was like, that was also interesting, where it was like, oh, the real win, and I think this series has always been toggling between does the recognition matter, do the stars matter?
Right.
And I think by hiding that and s- and showing, when Carmy's reliving that night, he's not thinking of, like, "Oh, that was the night we got the star," or, "We thought this person was there." He was like, "No, that's when my team finally gelled."
Yep.
"That's when they were the best." And that was on- that was probably the moment where he was like, "Oh, I can actually leave now."
Yep.
"I feel good about leaving." Because one of the best moments Syd had, and it's such a little moment, is when Carmy's doing his little Carmy shit, and Tina's trying to help him.
And he's like, "Oh, I can just do it faster myself." And she's like, "She can do it, Carmy."
Mm-hmm.
You're like, oh, she is a better leader.
Yeah.
This isn't about, Carmy, this isn't about you scoring all the points.
This isn't about showing us how fast you are at plating, how fast you can cut an onion.
This is about empowering everybody around you to be able to do it their fucking selves.
When The Bear came out, it was kind of a trendy show.
We talked about this-
Yeah
...
in the last episode.
It was a trendy show.
It was a show that cut through culturally.
And man, it could have, like, rested on that.
It could have continued to just be a show about beautiful people making beautiful food.
Carmy's love story and all of that stuff, we could have done the whole thing.
But they did something more daring in the end, and they, they kinda got away from themselves, and some of the celebrity stuff, and all of that stuff.
But it was just deeply emot- emotional and moving at the end of it, because you were just with someone, and you remember sometimes.
It's like almost being like with a friend, where you remember, like, how much you have in the tank with them.
Yeah.
Like, how long you've been with them.
I found myself at the end of the show being way more emotionally invested than I thought I was going to be.
Same.
Like, I, yeah.
Like, I wasn't, I, I wasn't even super looking forward to doing this, because we've done these, me and you have done two shows in total.
We've done more than that, but for prestige, we've done, we did Atlanta.
Yeah.
And then I feel like we might have done, uh, our first time on here might have been actually-
...
So WandaVision aside, 'cause that would've been on the Midnight Boys had that podcast exist- existed at that time.
But us doing this, and having done those two shows specifically, this one felt more pertinent to my life right now.
Yeah.
Like, I can understand how everyone feels, and I felt good for them.
Atlanta was so avant-garde that at times it was just like, what are they, what crazy shit are they gonna cook up? But man, I'm just happy everybody's okay.
People had their problems with the second season.
People had their problems with the last season.
Mm-hmm.
But now, not only is it talked about a different way, when you can watch the vision from front to back, you have a different conversation.
You're going to be like, "Damn, this did reignite Jeremy Allen White.
This did introduce us to Ayo Edebiri."
Right.
Because I think what people, what these shows get to is they start chasing, why isn't this show giving me the same feeling as it did in the first and second season? Why isn't this show the thing that all of my friends are watching? Why are people falling off? And that's-
Yeah
... what's different about it, where it's like we're not actually talking about The Bear.
Half the time we're like, "Well, why is it a binge? Is it really a comedy?" Da da da.
Two, three, four years, who gives a fuck about it [laughs] anymore?
Yeah.
You know what I mean? And I think it is harder now because less shows, I would not be surprised if third season of something like Widow's Bay, third season of The Pit, people start having these conversations, because you can only be that show for a season or two before everybody's just like, "Well, you guys aren't the center of attention anymore.
You're not the center of culture anymore." I mean, weirdly, it's what we're talking about with something like Supergirl, where it's like, what are these movies now when they're not the center of culture? We're always gonna get Spider-Man.
We're always gonna get Batman.
We're gonna get X-Men.
Are you truly a fan when this thing isn't the epicenter?
This sort of mob mentality that gets people both on something and off something is a double-edged sword.
It's, it's kind of a thing to where when everyone, the groupthink is just so, uh, poundingly evident now.
That's not to say that there weren't certainly things to criticize about The Bear during its run.
Yeah.
Um, but, you know, for the people that stuck with it, I think they got a treat.
Wanna ask you about one more thing specifically.
Okay.
Claire.
She was at the party.
[laughs]
She was at the party, but they just fucking kicked the ball away from Claire.
There was nothing about Claire Bear's entire deal that ended up being figured out, uh, in this season.
Not to me.
Like, they, uh, kind of abandoned the Claire and Carmy thing.
Or maybe not.
Did you expect some kind of resolution?
Yes.
And w- the thing I was s- surprised about is they had been giving us kind of little hints last season about kind of the Richie, Jess romance.
It was very funny that, like, they showed us way more of that-
Yeah
... than they did of, like, the romance that took up a fucking entire season and a half.
That was like the whole, a whole season and a half was oriented around it.
You thought, legitimately, that Claire was Carmy's salvation.
Yes.
That, like, if Carmy could just figure shit out with Claire, that he would become a normal person, and then that just kind of, that's not what, what, what, what saved Carmy.
What saved Carmy was walking away from the restaurant.
But, like, she's just gone.
I do think it is the right creative choice, and that's nothing against that actress.
That's nothing against the Claire plot line.
But when, uh, Syd runs out to hug Carmy, I was like, well, that, that was the central relationship of the show all along.
That, that, that's what it was.
And I'm just like, that is the right creative choice because I'm just like, once you add Claire into the mix, it gets a little bit muddled.
Yeah.
But I was like, 'cause there was even this moment where, like, Air- Jeremy Allen White holds Ayo's face, and I'm like, "Please don't say they kiss."
I thought, I thought that was gonna happen.
Same, but, and I think that there was a reason that hap- But I was like, oh.
To me, that was Christopher Storer being like, "You know what? Let me reorient this," 'cause it is a love story.
I think people wanted this to be a romantic love story, and I think that this was a platonic love story.
This is about someone finding their person in this world, and having that connection, and then that ability to let go.
And where would Claire have fit in this? 'Cause w- we also forget, this is about one night in The Bear.
Yeah.
The whole thing about Claire was she was not connected to The Bear.
Right.
She was connected to Carmy.
Yeah.
And 'cause even it was funny, like, I thought that scene between Carmy and Richie in the, in the freezer was phenomenal.
Like, getting to see these two brothers come together and heal that.
Mm-hmm.
That could've been a great place for Claire.
Mm-hmm.
But it's just-
But that moment-
... a bit too much.
Yeah.
Yeah, that moment wasn't really about Claire.
That moment wa- What I think was cool narratively is I'm like, Carmy isn't just telling Richie that you can fly, you can travel.
He's saying, like, you can live.
Like, you deserve love.
Like, you just don't have to be this, like, surly single father.
Like, there's more.
Like, you can be a person.
Right.
Especially if I'm not around.
It was almost he was like he was giving him permission to do it.
And, and that's why I loved where it ended, where I was like, Carmy was giving permission to Syd to be like, "This is your place now.
You serve your food.
You lead these people." Same thing with, like, Richie.
He's like, "Hey, yo, Mikey's gone.
I might, like, I'm still here, but like, bro, you're no one's sidekick.
Go do what you need to do." And to me, to your point that you brought up earlier, that's when the show got deeper.
Mm.
Like, I was always worried.
I'm like, what is a final season gonna look like where, like, Jeremy Allen White is not in the center of the frame? And to me, the salvation of the show was realizing like, hey, yo, The Bear was always these people.
Like, look at all these actors.
I'm gonna put them in a position where they're gonna become superstars.
Yeah.
You really don't know what they have.
And to me, that's also the defining thing of The Bear.
You could talk as much shit about this show as you want.
The amount of talent that they picked and really truly, like-
Cultivated, nurtured, yeah.
I- Ayo was not only front of, like, is not only a superstar, she was in front of the camera and behind the camera.
Mm-hmm.
Same thing with Lionel.
You have all these moments, like, where I'm like, oh.
Jeremy Allen was on a successful show for years.
I don't think anybody was just like, "That's a leading man."
Mm-hmm.
Not many shows can do that.
Yeah, not many shows can do that at all, and not many shows can do that and while landing the plane of their narratives.
Shows that send you off in a way that makes you feel not good about leaving, I think a lot of people get that messed up.
It's like, you never feel good about leaving your favorite show or a show that you love.
Yeah.
But you do wanna feel okay about it.
You wanna feel okay to leave, right? You wanna feel okay to get out of this world and, and go do something else or experience something else.
You wanna feel okay.
And so a lot of times when shows don't work at the end, it's 'cause you don't really feel okay leaving.
Yeah.
You feel like there are unanswered questions.
You feel like the answers that you got didn't make any sense.
You feel like the characters acted in ways that didn't line up o- or align with who they were, and you don't feel o- okay about it.
You're like, what is that? Like, what's, what...
Like, I want more.
Like, why'd that person die? That's not the way that was supposed to go.
I legitimately feel okay about leaving this world.
Every, where everyone ended up seemed so true.
Mm-hmm.
Where you were just like, to your point, I'm like, I felt this way about the end of something like Atlanta where you're just like, hey, as long as every character ends in a pl- ends at a place where I'm like, it could be tragedy, it could be joy, but this feels true to the show that I've been watching, and it feels true to how many hours I invested with these characters and this family.
Hey, bro.
Like, The Bear, they did it.
I don't care what anybody says.
Yeah.
I was just like, yo, they fucking landed the plane.
Is there anybody else that you feel like you wanted to see more? Did you wanna see more of the facts? Did you wanna see, is there, is there anything that was left on, uh, the table for you?
The reason I will say no is because that penultimate episode, number seven-
Mm-hmm
... hour-long episode did go out of its way to give every single person their win.
Mm-hmm.
And the one person who didn't get it, Eira, got it in the finale.
Yeah.
Where you were like, oh.
That was a great scene.
scene.E- 'cause also, to take a character like Ebra that is almo- I don't wanna say almost forgettable in the first season-
Mm-hmm
...
but not even really part of the main, main cast, and give him the actual win, where, like, Carmy is sitting there with, uh, Uncle Jay and is like, "Oh, that's...
Fuck, that's a great idea."
Mm-hmm.
Like, giving Ebra the moment where he's the actual person that saves The Bear, and then Carmy telling everybody at that table, "You guys are the actual reason that we keep getting to be able to do this"-
Yeah
... is so, uh, smart, because I'm like, it's also true to life.
There's no main characters, and the most talented person is not, is not always the person that's gonna end up saving the day.
Right.
The person who's saving the day is, a lot of time, the one that's like, has their hands in the dirt, slinging the fucking sandwiches.
Ebra was actually the one where I was getting a little choked up.
I'm like, "Fuck, my man Ebra finally got that shit." [laughs]
Do you remember, too s- R- Richie, do you remember the scene, I think it's from Season 1, maybe 2, where Richie and, uh, Syd run into each other?
Yeah.
Remember that scene?
Wait, was that when, um, I think that was also the penultimate episode, where she accidentally, uh, stabs-
Right
...
Richie with the knife.
Yep.
Right.
So think about Richie's response to a mistake, and the intensity of that episode, and how that mistake, like, shaped, like, the environment of that scene.
Yeah.
And then think about how Richie reacts when Carmy drops the lamb.
That is a full character.
That's, this guy makes a bad situation worse.
He makes-
Yeah
... a tense situation more tense.
This guy is, uh, might be good at his job.
He can diffuse a situation, but he's not a good caretaker, right? Think about the way Richie diffuses the situation in the first episode.
They're lining up.
He comes out with a gun, you snot-averse motherfuckers.
[laughs]
You know what I mean? By the end, he's using his words, he's using his emotions, he's using his connection to get through it.
Like, those types of journeys is what makes a good, developed television show, and makes you remember characters for a long time.
Man, that's a perfect place to end it, 'cause I couldn't agree more.
Yo, thank y'all for everyone out there who's been on-
... been at this restaurant with us for, uh, what, four years now?
Four years.
Hell yeah, and you know what, special, special, special shout-out to the producer who has seen us through-
Extraordinaire
...
this all, literally, like, what? He's been, he's been our Syd.
Yeah.
You know what I'm saying?
He's our Syd.
Yo, shout-out Kai Grady for, uh, always killing it behind, uh, the boards.
Hey, yo, The Bear did it.
Shout-out to Prestige TV Podcast.
Hey, make sure you tap in if you wanna hear more.
Midnight Boys, we come out every Wednesday.
Tap into Higher Learning twice a week.
Hey, y'all, we'll see y'all very soon.
Boo.
Boo.
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“Van completely reframes Carmy’s journey right now.”
“Van explains real ingredient the kitchen lacked.”
“Charles reveals why Carmy rejects Michelin glory.”
“Star Wars analogy reshapes leaders versus legends.”
“Charles clarifies central relationship, surprising romantic expectations.”
“Hosts question if show ended too late.”