Aug 19, 2025 · 1 hr 17 min · 17 segments
What does it take to create work that wins at Cannes Lions while also solving real brand problems? In this episode of The Lead Creative, hosted by Mongezi Mtati in collaboration with Danette…
Mongezi MtatiHost
Danette BreitenbachHostWhy are we not seeing entries into these new categories that cans the business for good? Cause we're good at that kind of thing.
We solve amazing social issues in South Africa, but we, I'm not seeing that.
I'm still seeing this reliance on radio and audio, which, as you said, has actually changed quite a lot.
Why are we not seeing this, you know, that we're in all these other categories? Because I think we could do really well in them.
I think for me, what we're not talking about in this conversation is the fact that I don't think that as a country, we believe enough in creativity and the difference that it can truly make to business.
And it's very interesting for me because what it takes to create the kind of work that has the kind of impact that we see so much of the work that we admire have is it takes 50% of the agency.
And what I find is that We still come from a history where the awards stuff is stuff that's done on the side, not really where the major budgets go.
You know, it's still looked at as the little niche things that we do on the side.
But I think we are still very scared and we're still following a lot of old ways.
Why are we not seeing entries into these new categories that cans the business for good? Cause we're good at that kind of thing.
We solve amazing social issues in South Africa, but we, I'm not seeing that.
I'm still seeing this reliance on radio and audio, which, as you said, has actually changed quite a lot.
Why are we not seeing this, you know, that we're in all these other categories? Because I think we could do really well in them.
I think for me, what we're not talking about in this conversation is the fact that I don't think that as a country, we believe enough in creativity and the difference that it can truly make to business.
And it's very interesting for me because what it takes to create the kind of work that has the kind of impact that we see so much of the work that we admire have is it takes 50% of the agency.
And what I find is that We still come from a history where the awards stuff is stuff that's done on the side, not really where the major budgets go.
You know, it's still looked at as the little niche things that we do on the side.
But I think we are still very scared and we're still following a lot of old ways.
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