Paul Feig

no, no pressure.

You can't think of one.

Is there an example you have of that where you, where she like, I can't say it like that.

I can't do it.

And

then, yeah, it was in spy.

It was when, when she's, when Roseburn is holding the gun on her in the cockpit and she goes and, and fuck you for saying, I like anything like, like that beast.

When she showed that picture of the mother, she was like, no wonder you're an only child.

You, you, you fuck a monster like that.

Once you just drop the mic and leave.

It's something like that.

And fuck you for saying I look anything like that fucking beast.

No wonder your father never had the sunny one.

You fucked that monster once and you just dropped the fucking mic and walk out.

So you have a skill that was a compliment that was often given to my uncle, Joe Mankiewicz, that you're one of these male directors who has a particular facility in directing women.

Do you think there is anything to that?

I mean, I'm proud of that, very much so.

It's kind of what I've always wanted to do.

I've just always loved funny women, and I love women in movies, like really complex, three-dimensional female characters I love.

And there was such a long period where that stopped, and guys were the three-dimensional characters, and women were just these kind of props to get in the way or to set them up or whatever.

And so...

Yes.

I mean, I was a pretty feminized guy.

I was an only child, very close with my mom.

My next door neighbors were, were a family of eight, but all my best friends were the girls in the, in the family.