Oct 22, 2026 · 1 hr 22 min · 14 segments
This week on Revolutions Per Movie, I had the pleasure of having three souls who not only have swirled in and around the world of the musical/film/performance collective, **Elephant 6**, but who were…
Derek AlmsteadGuest
Jason NeSmithGuestYeah, it's kind of amazing as somebody who never got to see them live, you know, in the documentary, just how unhinged, beautifully unhinged their performances seemed.
And I just wish, you know, like as much as I love the documentary, there's a part of me that's like, I just want to see like a 90 minute live concert film, you know, just capturing that because, you know,

Yeah, the Get Back documentary kind of ruined music documentaries for me because I was like, this is all I want.

Like, you know, all music documentaries now, like, they, unless, I mean, you know, I guess you can watch concert films or whatever, but
it's an amazing film in one sense, though, because of the access people had to documentation.
You know, they're talking to people in like 2010, you know, 2008, because they could just film them cheaply.
And, you know, whether it's archival footage or super eight films, um, it's kind of incredible to just be like, Oh, some of these interviews are like, you know, 15 years old.
You know, I, I thought that especially the person who edited it, um, who worked on the other music documentary and stuff like that.
But again, you don't really get to live in the music for very long in a film like this.

Well, I have zero complaints and really love the way the final film turned out.

But there was a previous version before that edit that existed that was longer.

I don't know off the top of my head how much longer it was, but maybe another 40 minutes or something like that.

And, you know, there was like a period of time where it was going around as like a past the VHS tape kind of thing.
Yeah, it's kind of amazing as somebody who never got to see them live, you know, in the documentary, just how unhinged, beautifully unhinged their performances seemed.
And I just wish, you know, like as much as I love the documentary, there's a part of me that's like, I just want to see like a 90 minute live concert film, you know, just capturing that because, you know,

Yeah, the Get Back documentary kind of ruined music documentaries for me because I was like, this is all I want.

Like, you know, all music documentaries now, like, they, unless, I mean, you know, I guess you can watch concert films or whatever, but
it's an amazing film in one sense, though, because of the access people had to documentation.
You know, they're talking to people in like 2010, you know, 2008, because they could just film them cheaply.
And, you know, whether it's archival footage or super eight films, um, it's kind of incredible to just be like, Oh, some of these interviews are like, you know, 15 years old.
You know, I, I thought that especially the person who edited it, um, who worked on the other music documentary and stuff like that.
But again, you don't really get to live in the music for very long in a film like this.

Well, I have zero complaints and really love the way the final film turned out.

But there was a previous version before that edit that existed that was longer.

I don't know off the top of my head how much longer it was, but maybe another 40 minutes or something like that.

And, you know, there was like a period of time where it was going around as like a past the VHS tape kind of thing.
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