Sep 6, 2026 · 16 min · 12 segments
John Yorke explores The Things They Carried by Tim O’Brien, novelist and veteran of the Vietnam War. Published in 1990 it’s a collection of interlinked stories about a platoon of American soldiers…
Alex VernonGuestHe was a foot soldier and radio telephone operator in charge of helicopter evacuations for the wounded and the dead.
The terrain his platoon patrolled was booby-trapped, mines were everywhere and casualties were common.
In another story called How to Tell a True War Story, he describes a soldier called Kurt Lemon being blown up into a tree.

And so O'Brien is having to call in the coordinates for his buddy who was just blown into unrecognizable bits.
In the story, he describes the reaction of one of the other soldiers who, incredible though it seems, starts singing the Lemon Tree song.
But as O'Brien said in an interview for the American National Endowment for the Arts, in this war, everything seemed unreal.
felt as if one had tumbled through a black hole and landed in Wonderland and Right was wrong and wrong was right and civility was savagery and everything went upside down.
Thou shalt not kill turned into you'd better kill or we'll court-martial you.
Everything felt to me as if I were in a kind of waking dream.
The dreamlike feeling was intensified by the fact that in his 13 months of service, Tim saw the living enemy only once.

He describes it as if they were fighting ghosts because you couldn't see them, but they were clearly shooting at you, especially at night too.
He returned home and took up his place at Harvard and then joined the Washington Post as an intern.
In 1973, he gathered them together and published his first book, If I Die in a Combat Zone, Box Me Up and Ship Me Home, a strictly factual account of his time in the 5th Battalion, 46th Infantry.
An idea started to percolate and he began to develop a very stylised, imaginative fiction to capture the psychological terror of the conflict.
It won the National Book Award, and it's here that you see the birth of the unique style that would come to inform the things they carried.
He was a foot soldier and radio telephone operator in charge of helicopter evacuations for the wounded and the dead.
The terrain his platoon patrolled was booby-trapped, mines were everywhere and casualties were common.
In another story called How to Tell a True War Story, he describes a soldier called Kurt Lemon being blown up into a tree.

And so O'Brien is having to call in the coordinates for his buddy who was just blown into unrecognizable bits.
In the story, he describes the reaction of one of the other soldiers who, incredible though it seems, starts singing the Lemon Tree song.
But as O'Brien said in an interview for the American National Endowment for the Arts, in this war, everything seemed unreal.
felt as if one had tumbled through a black hole and landed in Wonderland and Right was wrong and wrong was right and civility was savagery and everything went upside down.
Thou shalt not kill turned into you'd better kill or we'll court-martial you.
Everything felt to me as if I were in a kind of waking dream.
The dreamlike feeling was intensified by the fact that in his 13 months of service, Tim saw the living enemy only once.

He describes it as if they were fighting ghosts because you couldn't see them, but they were clearly shooting at you, especially at night too.
He returned home and took up his place at Harvard and then joined the Washington Post as an intern.
In 1973, he gathered them together and published his first book, If I Die in a Combat Zone, Box Me Up and Ship Me Home, a strictly factual account of his time in the 5th Battalion, 46th Infantry.
An idea started to percolate and he began to develop a very stylised, imaginative fiction to capture the psychological terror of the conflict.
It won the National Book Award, and it's here that you see the birth of the unique style that would come to inform the things they carried.
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