Oct 11, 2026 · 31 min · 10 segments
News Director Talula Hayes sits down with the founder and host of the Daily, Michael Barbaro, to discuss his history of reporting at the New York Times and his upcoming event visiting UW-Madison on…
And then, so from going from "The Run Up" in November of 2016 to kind of making that decision to continue audio, why did you feel it was so crucial to tap into audio media?
[lips smack] Well, I think one of the things that later we would come to understand in particular about audio is that-- And I, I think other people understood it at the beginning, but I didn't 'cause I w- I was new to audio, is that it's a very transparent medium.
It's a, it's a really valuable place in which to show people the process of journalism.
So if you're [lips smack] writing a newspaper story, almost the entire experience for the consumer of that story is unseen and unheard.
You pick up the phone, you go to an event, you scribble things down in your notebook, then you go back to your desk and you write a story, and you get this kind of final product in front of you on the page.
And then you read it, and it's, it's not a, a-- A newspaper story is not designed to tell you how the information was acquired.
It's just kind of a s- It's just kind of the final version of the information.
And I think audio storytelling is almost by definition [lips smack] about telling people the story of kind of, in our case with, of "The Daily," of kind of how you got the information and how you thought about the information.
In many cases, we're literally sh- You're, you're asking people to listen in on the journalism process, so you'll hear reporters out in the world, uh, recording themself asking questions.
And so it really brings you inside the process so much more, and I think as a result makes people trust what they're hearing more than if you're just handed a story and said like, "Trust me, this is, this is what I got," because you can hear the journalist at work in audio.
journalism.Yeah, well, AI makes everything a little more interesting and complicated because, again, especially with the written word, you can safely assume when it comes to The New York Times that you're not reading an AI-written story.
But [lip smack] in the rest of the ecosystem, AI is being adopted in, in some parts of the world of journalism, in all kinds of spheres of writing.
Um, there is no AI in audio yet that I know of that-- in any kind of mass...
Uh, we're not, and, uh, and I think we'd have to tell you if we ever were gonna do it.
And so it's another way of, of kind of-- fighting back is too strong a word.
And then, so from going from "The Run Up" in November of 2016 to kind of making that decision to continue audio, why did you feel it was so crucial to tap into audio media?
[lips smack] Well, I think one of the things that later we would come to understand in particular about audio is that-- And I, I think other people understood it at the beginning, but I didn't 'cause I w- I was new to audio, is that it's a very transparent medium.
It's a, it's a really valuable place in which to show people the process of journalism.
So if you're [lips smack] writing a newspaper story, almost the entire experience for the consumer of that story is unseen and unheard.
You pick up the phone, you go to an event, you scribble things down in your notebook, then you go back to your desk and you write a story, and you get this kind of final product in front of you on the page.
And then you read it, and it's, it's not a, a-- A newspaper story is not designed to tell you how the information was acquired.
It's just kind of a s- It's just kind of the final version of the information.
And I think audio storytelling is almost by definition [lips smack] about telling people the story of kind of, in our case with, of "The Daily," of kind of how you got the information and how you thought about the information.
In many cases, we're literally sh- You're, you're asking people to listen in on the journalism process, so you'll hear reporters out in the world, uh, recording themself asking questions.
And so it really brings you inside the process so much more, and I think as a result makes people trust what they're hearing more than if you're just handed a story and said like, "Trust me, this is, this is what I got," because you can hear the journalist at work in audio.
journalism.Yeah, well, AI makes everything a little more interesting and complicated because, again, especially with the written word, you can safely assume when it comes to The New York Times that you're not reading an AI-written story.
But [lip smack] in the rest of the ecosystem, AI is being adopted in, in some parts of the world of journalism, in all kinds of spheres of writing.
Um, there is no AI in audio yet that I know of that-- in any kind of mass...
Uh, we're not, and, uh, and I think we'd have to tell you if we ever were gonna do it.
And so it's another way of, of kind of-- fighting back is too strong a word.
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