Carol Loeb ShlossGuest
Daniel MoranHost
So I want to start by getting your reaction, your, your hot take, as the kids say today.

[laughs] Well, lastly, I'm more comfortable, or what's the right word I want to use? Um, I more often write about fathers and their daughters, and the question in th- cases, how do you survive having a father who's created most of or an important part of Western civilization? What are your survival strategies? How do you just get on with your life and make it into something whole? And what is your relationship with your father? To write about a daughter and her mother was a real challenge, and I loved it because the daughter is the brilliant one, and the mother is kind of trying to catch up.

So it was an- another intergenerational book about a, a, a parent and a child, but the dynamics were all changed, and it was complicated by the fact that Flannery was sick for a while, well, f- f- for most of her life.

So she was dependent upon the mother who didn't really get what she was doing.

In one of her books, she writes about, uh, it's called Why Do the Heathens Rage? She writes about a son who's always sitting at the typewriter and says the sound of the typewriter made his mother sick.

So Flannery knew that she had to f- create some strategy for getting along with the very person who didn't get it, the very person who fell asleep when she was reading her drafts.

Her mother, of course, who said, "Why can't you write something nice like Gone With the Wind?"

So I want to start by getting your reaction, your, your hot take, as the kids say today.

[laughs] Well, lastly, I'm more comfortable, or what's the right word I want to use? Um, I more often write about fathers and their daughters, and the question in th- cases, how do you survive having a father who's created most of or an important part of Western civilization? What are your survival strategies? How do you just get on with your life and make it into something whole? And what is your relationship with your father? To write about a daughter and her mother was a real challenge, and I loved it because the daughter is the brilliant one, and the mother is kind of trying to catch up.

So it was an- another intergenerational book about a, a, a parent and a child, but the dynamics were all changed, and it was complicated by the fact that Flannery was sick for a while, well, f- f- for most of her life.

So she was dependent upon the mother who didn't really get what she was doing.

In one of her books, she writes about, uh, it's called Why Do the Heathens Rage? She writes about a son who's always sitting at the typewriter and says the sound of the typewriter made his mother sick.

So Flannery knew that she had to f- create some strategy for getting along with the very person who didn't get it, the very person who fell asleep when she was reading her drafts.

Her mother, of course, who said, "Why can't you write something nice like Gone With the Wind?"
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