Jun 12, 2026 · 1 hr 4 min · 10 segments
MLVC discusses Madonna's amazing new Confessions 2 film! We talk the music, the visuals, the easter eggs, the talk back at the premiere in NYC and more! Resident hairstylist Jason Lee joins us while…
Jason LeePanelistTony TriusHostIt's less the song and more just, like, her vocals from the beginning of that.
And there are fembots, some sort of like, you know, s- staunch women with cameras coming to stalk Madonna.
She's in her modest, her modest, quote-unquote, "apartment" where the fembots break down her door and then start filming her, and that sort of kickstarts the craziness of the night.
Jason, what do you think about how it starts? What, uh, the tone? Give an overall impression of the film.
Uh, first of all, just one note, like, that first scene when it just kind of opens up and how beautiful she looks is I think just so breathtaking.
The first one to me was she talks a lot about how, um, when she's now performing, she looks into the audience and everybody's on their phones, and all she sees is a sea of cameras.
However, um, also the whole era that we've walked into now is this kind of futuristic place.
Um, and my take is also that it has a lot to do with, um, kind of where humans are going and the kind of combination of robotic cameras and all this stuff.
So I think she's trying to make a point with this, but my real take was, um, just the cameras represent our phones and potentially-
... just AI and everything merging together, and that's kind of the overall arching kind of underneath thesis that's happening.
It's less the song and more just, like, her vocals from the beginning of that.
And there are fembots, some sort of like, you know, s- staunch women with cameras coming to stalk Madonna.
She's in her modest, her modest, quote-unquote, "apartment" where the fembots break down her door and then start filming her, and that sort of kickstarts the craziness of the night.
Jason, what do you think about how it starts? What, uh, the tone? Give an overall impression of the film.
Uh, first of all, just one note, like, that first scene when it just kind of opens up and how beautiful she looks is I think just so breathtaking.
The first one to me was she talks a lot about how, um, when she's now performing, she looks into the audience and everybody's on their phones, and all she sees is a sea of cameras.
However, um, also the whole era that we've walked into now is this kind of futuristic place.
Um, and my take is also that it has a lot to do with, um, kind of where humans are going and the kind of combination of robotic cameras and all this stuff.
So I think she's trying to make a point with this, but my real take was, um, just the cameras represent our phones and potentially-
... just AI and everything merging together, and that's kind of the overall arching kind of underneath thesis that's happening.
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