Episode 16 - Live Your Life With Unapologetic Joy - On Rob Zombie's The Munsters and AEW's All Out 2026

This is a film that in many ways, I believe, is just a genuine masterpiece for many reasons.

Let's talk about visual first.

Rob Zombie, I think, I remember when, not only do I remember when House of a Thousand Corpses came out, I remember when news reached everybody's ears that he was going to try his hand at directing.

You know, always one of my favorite musicians.

You know, always bought his albums on day one.

So, I mean, I was very excited.

Wow, my favorite musician is going to make a movie? Wow, I got to see this.

So, I remember getting the VHS tape of House of a Thousand Corpses from the rental store when it came out.

You know, it wouldn't be a couple years after that until I had a DVD player.

You know, so...

I remember getting the tape, I watched it, and it was like, huh.

Later in life, I would come back and watch that movie again and have a genuine appreciation for some of the different things going on in it.

You know, when I was younger and first saw it, I didn't really get it.

But one of the things that struck me immediately about him was that twofold.

This guy loves movies.

And this guy also has an exceptional eye for visual beauty in his films.

And that's something that I think has always been present throughout Rob Zombie's body of work.

You know, it's like every film is different, but I think that there's so much nuance visually film to film.

Obviously, House of a Thousand Corpses does the Dario Argento color saturation.

And, you know, it's his first film, so he's just trying to get every idea he's ever had into this.

And, you know, and he does a great job.

He does a great job.

I'm going to drink coffee here.

But, you know...

Obviously, Devil's Reject is a much more terse...

This is a film that in many ways, I believe, is just a genuine masterpiece for many reasons.

Let's talk about visual first.

Rob Zombie, I think, I remember when, not only do I remember when House of a Thousand Corpses came out, I remember when news reached everybody's ears that he was going to try his hand at directing.

You know, always one of my favorite musicians.

You know, always bought his albums on day one.

So, I mean, I was very excited.

Wow, my favorite musician is going to make a movie? Wow, I got to see this.

So, I remember getting the VHS tape of House of a Thousand Corpses from the rental store when it came out.

You know, it wouldn't be a couple years after that until I had a DVD player.

You know, so...

I remember getting the tape, I watched it, and it was like, huh.

Later in life, I would come back and watch that movie again and have a genuine appreciation for some of the different things going on in it.

You know, when I was younger and first saw it, I didn't really get it.

But one of the things that struck me immediately about him was that twofold.

This guy loves movies.

And this guy also has an exceptional eye for visual beauty in his films.

And that's something that I think has always been present throughout Rob Zombie's body of work.

You know, it's like every film is different, but I think that there's so much nuance visually film to film.

Obviously, House of a Thousand Corpses does the Dario Argento color saturation.

And, you know, it's his first film, so he's just trying to get every idea he's ever had into this.

And, you know, and he does a great job.

He does a great job.

I'm going to drink coffee here.

But, you know...

Obviously, Devil's Reject is a much more terse...