Sep 28, 2026 · 47 min · 10 segments
Ambient pioneer Laraaji draws two tarot cards at the start of this Lunar segment — the Devil and the Prince of Discs — and we leave them face up for forty minutes before coming back to them. Filmed in…
And you have a spiritual practice, you have a meditative practice, you have many practices.
Well, once again, the process involves spontaneity.
Listen, figure out the key of the piece I'm working with, think of what sounds I want to play with, and then turn on the instruments and turn on the original track and spontaneously play, experiment, explore, and then come back and listen and hear interesting directions.
So I'll do that with a couple of instruments.
The zither, the kalimba, the voice, the synthesizer, or live piano.
And when I hear something that sounds memorable, something worth hearing back, something that has a therapeutic edge to it, something that suggests beauty, calm, that has some spiritual food for the soul, I hear something in there.
And how does this knowledge, this knowing come, like when you hear and you know that it's the right thing? It's
You pick it up and hand it to somebody, you almost know they're going to take it and make use of it.
So when I find something that I listen to and say, hey, I'd like to share this with somebody, it's a feeling of wanting to share that has something of shareable value.
Either it'll relax or it'll like tone poetry or something beautiful about it, aesthetic.
And I feel it and it's something that I want to listen to again and again.
And it's not imposing.
And I do already have this exposure to people around the world who have listened to my music, who come up to me after a concert.
And I sort of have this body of people that I feel their presence.
They would enjoy this.
You sort of have this knowing, intuitive knowing.
Would you like to share an intuitive piece for the
Yes, I could do that.
Let's
see,
yes.
Somebody sent me a piece that was in C major.
It's not easy for me to hook this up, but the idea is I would listen on headphones, and while I'm listening on headphones to the piece, or listening...
And you have a spiritual practice, you have a meditative practice, you have many practices.
Well, once again, the process involves spontaneity.
Listen, figure out the key of the piece I'm working with, think of what sounds I want to play with, and then turn on the instruments and turn on the original track and spontaneously play, experiment, explore, and then come back and listen and hear interesting directions.
So I'll do that with a couple of instruments.
The zither, the kalimba, the voice, the synthesizer, or live piano.
And when I hear something that sounds memorable, something worth hearing back, something that has a therapeutic edge to it, something that suggests beauty, calm, that has some spiritual food for the soul, I hear something in there.
And how does this knowledge, this knowing come, like when you hear and you know that it's the right thing? It's
You pick it up and hand it to somebody, you almost know they're going to take it and make use of it.
So when I find something that I listen to and say, hey, I'd like to share this with somebody, it's a feeling of wanting to share that has something of shareable value.
Either it'll relax or it'll like tone poetry or something beautiful about it, aesthetic.
And I feel it and it's something that I want to listen to again and again.
And it's not imposing.
And I do already have this exposure to people around the world who have listened to my music, who come up to me after a concert.
And I sort of have this body of people that I feel their presence.
They would enjoy this.
You sort of have this knowing, intuitive knowing.
Would you like to share an intuitive piece for the
Yes, I could do that.
Let's
see,
yes.
Somebody sent me a piece that was in C major.
It's not easy for me to hook this up, but the idea is I would listen on headphones, and while I'm listening on headphones to the piece, or listening...
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