Apr 12, 2026 · 1 hr 36 min · 13 segments
Today, I’m thrilled to announce my interview with visionary director Sam Gold. Tune in to hear some of the stories of his legendary career, including how Alan Rickman got him his Broadway directing…
Charles KirschHost
Well, so I'd love to start us off by asking you, how did you first become interested in theater?
Doing school plays, you know, I was interested in the theater in like, maybe my freshman year of high school, I did, started doing school plays and started with acting as most people do.
But actually, by the time I was... like a junior in high school, I was already like kind of sure I was more of a director than an actor and doing that even at that, even at like 16 or 17, I was directing stuff.
acting in various little things for, you know, all through college and even a little after that.
And, um, but I kind of just temperament wise, um, It was clear I wasn't a very talented actor.
And a lot of sort of mentors and people that I would meet would sort of notice that I sort of had a director brain and encouraged me.

And how did you decide sort of where to study in terms of college and all of that? I went to college,
And then I tried out for the play, like the first or second week of school, And I got cast in David Ives all in the timing.
And I wound up sort of, as soon as I did the play and quit intramural soccer, and I started to realize that like that was where my people were and I was going to have friends and I would keep doing that.
And I really enjoyed doing the play and I really enjoyed the theater department there.

and then how did your Broadway acting debut come about in the Diary of Anne Frank so when
I was in high school I moved into Manhattan when I was 16 and I did acting classes and school plays in high school but I also started sort of like backstage magazine going out on auditions being in student films doing some more professional stuff and I was cast, I was a junior in college and was cast as a understudy in the Diary of Anne Frank on Broadway.
I would like ask the actors backstage a lot of questions and write papers on things that Austin Pendleton was in that production and you know, I would sort of barrage him with questions about the old days and write papers for my theater classes on.
I had this little walk-on part at the end where I would push Anne Frank down a flight of stairs and call her some horrible name in German.

Well, so I'd love to start us off by asking you, how did you first become interested in theater?
Doing school plays, you know, I was interested in the theater in like, maybe my freshman year of high school, I did, started doing school plays and started with acting as most people do.
But actually, by the time I was... like a junior in high school, I was already like kind of sure I was more of a director than an actor and doing that even at that, even at like 16 or 17, I was directing stuff.
acting in various little things for, you know, all through college and even a little after that.
And, um, but I kind of just temperament wise, um, It was clear I wasn't a very talented actor.
And a lot of sort of mentors and people that I would meet would sort of notice that I sort of had a director brain and encouraged me.

And how did you decide sort of where to study in terms of college and all of that? I went to college,
And then I tried out for the play, like the first or second week of school, And I got cast in David Ives all in the timing.
And I wound up sort of, as soon as I did the play and quit intramural soccer, and I started to realize that like that was where my people were and I was going to have friends and I would keep doing that.
And I really enjoyed doing the play and I really enjoyed the theater department there.

and then how did your Broadway acting debut come about in the Diary of Anne Frank so when
I was in high school I moved into Manhattan when I was 16 and I did acting classes and school plays in high school but I also started sort of like backstage magazine going out on auditions being in student films doing some more professional stuff and I was cast, I was a junior in college and was cast as a understudy in the Diary of Anne Frank on Broadway.
I would like ask the actors backstage a lot of questions and write papers on things that Austin Pendleton was in that production and you know, I would sort of barrage him with questions about the old days and write papers for my theater classes on.
I had this little walk-on part at the end where I would push Anne Frank down a flight of stairs and call her some horrible name in German.
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