Anthony FisherHost
Rembrandt's painting of the Holy Family with Angels is now in the Hermitage Museum in St. Petersburg.

The context is not Bethlehem's stable but Joseph's workshop where the carpenter is bent over his bench surrounded by his tools and focused on shaping a yoke with his axe.

Mary sits on a low chair her left foot on a foot warmer, and leans over the cradle to adjust its curtain with one hand.

In her other hand, she holds an open book, perhaps reading the prophecies about her son.

Above them angels flutter down upon beams of heavenly light, suggesting God's providence amidst this intensely human scene, and pointing to Christ as the light of the world.

Joseph through his labour, Mary through nurture and prayer, the angels through keeping guard, the child sleeping in heavenly peace.

There's talk of the emperor, the governor and the local king, their bureaucracies and soldiers.

As angels sing the first Gloria in excelsis, we see a splendid vision of God glorified and humanity at peace.

Yet Rembrandt's picture suggests a much more familiar, intimate, even mundane kind of hope.

that our children will grow up safe, that our love will endure, that God and his angels will be at hand when needed.

Rembrandt's painting of the Holy Family with Angels is now in the Hermitage Museum in St. Petersburg.

The context is not Bethlehem's stable but Joseph's workshop where the carpenter is bent over his bench surrounded by his tools and focused on shaping a yoke with his axe.

Mary sits on a low chair her left foot on a foot warmer, and leans over the cradle to adjust its curtain with one hand.

In her other hand, she holds an open book, perhaps reading the prophecies about her son.

Above them angels flutter down upon beams of heavenly light, suggesting God's providence amidst this intensely human scene, and pointing to Christ as the light of the world.

Joseph through his labour, Mary through nurture and prayer, the angels through keeping guard, the child sleeping in heavenly peace.

There's talk of the emperor, the governor and the local king, their bureaucracies and soldiers.

As angels sing the first Gloria in excelsis, we see a splendid vision of God glorified and humanity at peace.

Yet Rembrandt's picture suggests a much more familiar, intimate, even mundane kind of hope.

that our children will grow up safe, that our love will endure, that God and his angels will be at hand when needed.
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