Aug 30, 2026 · 26 min · 10 segments
Jorge, who creates under the name Creaydestruye, is the human behind Vicenia, an AI artist with her own voice, visual identity, music videos, and evolving story. Jorge does not describe himself as a…
That's really
interesting because you created Visenya a little bit out of frustration of working with producers, and then you brought a collaboration in with another producer.
Yes.
and then you brought more human element back into it.
So talk to me a little bit about that process and do you see that you'll be doing more of this?
This work that we did was wonderful.
It was incredible.
We had a great time.
The truth is that we understood each other perfectly.
Tato worked a lot.
It was quite difficult for him to put the stems of Vicenya's voice together with Maffi's voice recorded in the studio.
He said that he sucked the fat drop.
which is a Spanish expression to say that it was quite difficult, but he got it and it came out as a very good song.
We didn't succeed.
It didn't sound on the radio.
The press bought it.
I thought that maybe it was going to have, not a success, of course, but that maybe it was going to attract attention, but it didn't attract attention.
And well, I suffered a disenchantment, the truth.
I was very frustrated.
And for now, Well, for now, I haven't thought about another collaboration or production, but well, it's not ruled out.
So, well, let's see, because I'm convinced that there will be virtual artists in Spain and collaborations, it's clear that Was it on a streaming service or on actual terrestrial radio? I personally did not expect it to be a hit.
The song was distributed through a large distributor, a large high source record distributor, that is, it was going for a good distribution channel, but even so, it didn't reach the radios, for example, and we also didn't have a press communication plan and we didn't have a good response from the media.
That's really
interesting because you created Visenya a little bit out of frustration of working with producers, and then you brought a collaboration in with another producer.
Yes.
and then you brought more human element back into it.
So talk to me a little bit about that process and do you see that you'll be doing more of this?
This work that we did was wonderful.
It was incredible.
We had a great time.
The truth is that we understood each other perfectly.
Tato worked a lot.
It was quite difficult for him to put the stems of Vicenya's voice together with Maffi's voice recorded in the studio.
He said that he sucked the fat drop.
which is a Spanish expression to say that it was quite difficult, but he got it and it came out as a very good song.
We didn't succeed.
It didn't sound on the radio.
The press bought it.
I thought that maybe it was going to have, not a success, of course, but that maybe it was going to attract attention, but it didn't attract attention.
And well, I suffered a disenchantment, the truth.
I was very frustrated.
And for now, Well, for now, I haven't thought about another collaboration or production, but well, it's not ruled out.
So, well, let's see, because I'm convinced that there will be virtual artists in Spain and collaborations, it's clear that Was it on a streaming service or on actual terrestrial radio? I personally did not expect it to be a hit.
The song was distributed through a large distributor, a large high source record distributor, that is, it was going for a good distribution channel, but even so, it didn't reach the radios, for example, and we also didn't have a press communication plan and we didn't have a good response from the media.
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3 of 7
From Sketch To Human-Machine Collaboration
From a keyboard sketch to human-machine collaboration
The Collaboration Nobody Heard
A human collaboration still met Spain's rejection
Fear Can Spark Creative Revolutions
Fear can turn change into creative revolution
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