Dexter, is there anything wrong, sir?

No.

No, not a thing, Mac.

Just as quiet as a church.

Ooh.

Who's that line there? It's Mr.

Conner, Mac.

in which we serve with Edna Best, Mr. Cecil B. DeMille saying goodnight to you from Hollywood.

We'll have three stars in The Philadelphia Story next week: Robert Taylor, Loretta Young, and Robert Young.

Yes.

[audience applauding] Bob Young and I are both delighted at the opportunity of working with Loretta.

I think we're going to have a swell time here next week.

What's your latest over at Metro-Goldwyn-Mayer, Bob?

It's called Bataan, C.B., and there are a lot of great fellows in it: George Murphy, Tommy Mitchell, Lloyd Nolan, Lee Bowman, Desi Arnaz, and a very promising newcomer named Bob Walker.

The story's about an incident in the Philippine campaign that involved 13 men and not a single woman.

Here's Rob.

We've been in a secular bull market, but it feels to me like we're getting later and later in the secular bull market.

And that's what I want to start off by talking about.

So just to put in context, what's a secular bull market? It's an extended bull market where you get double digit returns.

The corrections are short and shallow.

It's a trending environment.

But over time, you're going to see a transition into a different environment.

Here, he explains why that matters and why investors should pay close attention to what's happening beneath the surface.

Johnny, why didn't you tell that poor kid the truth?

I'm telling you once and for all, stop running me through the strainer.

You're always telling me I don't understand something.

Well, you're the guy that doesn't understand, because you're a sucker, and a sucker never understands a smart guy.

You're a guy that has pals.

Give a pal your last 50 bucks, wouldn't you? Well, he's already a dead ducker.

He wouldn't need the 50.

Uh, where are we going?

We'll have three stars in The Philadelphia Story next week: Robert Taylor, Loretta Young, and Robert Young.

Yes.

[audience applauding] Bob Young and I are both delighted at the opportunity of working with Loretta.

I think we're going to have a swell time here next week.

What's your latest over at Metro-Goldwyn-Mayer, Bob?

It's called Bataan, C.B., and there are a lot of great fellows in it: George Murphy, Tommy Mitchell, Lloyd Nolan, Lee Bowman, Desi Arnaz, and a very promising newcomer named Bob Walker.

The story's about an incident in the Philippine campaign that involved 13 men and not a single woman.

Don't think, honey.

I'm not thinking, honey.

I'm just telling you that Benson wasn't good enough for her.

"Come on, get out of the sky.

I don't like you." Sure.

That's her.

Don't let her fool you when she looks soft and sweet.

She can have you when you're flying, but when you're down here, you're mine, Jim.

You're gonna see real shooting, sir.

Maybe we'll all see some shooting.

Maybe when that sleeve gets back you'll be able to cook it for spaghetti.

Let's go.

[plane engines roaring]Drake.

Drake in Plane Two, you cut too close to that target last time.

Watch yourself.

And if we're right, you don't belong in Bill Gerry's squadron.

And with Bob Taylor at the same microphone, it was a perfect performance for all of us.

[laughs] You know, I, I hate to bring in a note of complaint, C.B., but I happen to be a committee of one.

Yes, you can't turn my hair any grayer.

[laughs] It's about your attendance at the Hollywood ballpark since the season opened.

The directors are complaining.

Don't you like baseball anymore?

But really,

I don't need help.

Might be too late at that.

You're sharp there.

Now, look, Jack, the reason Miss Livingston did not respond properly was because you were not convincing as a lover.

Well.

Kiss me.

My darling.

yeah, I know.

It's really, really good.

It's an hour-long documentary about Sven's 2006 side, which was, you know, called The Golden Generation, probably a title that did them no credit at all.

But anyway...

Didn't help them.

I mean, it was a lovely documentary.

What was most distressing about that? And I have heard it before from Ferdinand and Gerrard and Lampard is that they weren't really on the same page, that team.

What was that like for you when you were reliving that moment? And can you remember thinking how difficult it was going to be for us to win a penalty shootout?

What does this have to do with the idea of heritage and tradition and passing this on in a culture? And obviously anarcho-capitalism and anarchism and all of its forms are based on revolutionary tossing out of everything that came before.

How can you even argue that? I'm trying to make it clear that one of the things that we study very, very astutely is that it's not just those things that you can measure with money that are valuable to human action.

People act despite the monetary cost of a thing when something is important to them.

Unfortunately, we live in a society where people – They've kind of lost the vision of things like religion and other important things of the family.

But that's not the fault of capitalism.

The fault of capitalism, one could say, is that it creates conditions in which its detractors people with no religion uh atheist uh communists where they have enough time to think up and promote their social ideals and so in that sense i guess you could say capitalism has like an achilles foot or whatever but it it's um yeah that's not capitalism's fault okay well that's the fault Yeah, we just haven't lived long enough in a free society for people to work those things out.

But now that we have been in a free society for quite some time, all the leeches and all this, people are starting to see what it's really all about.

were talking shit at me.