Sep 17, 2026 · 42 min · 11 segments
Local fringe festivals are one of the best ways to provide a platform for artists. This week we visit with Brenda Fashugba, co-founder of Lagos Fringe in Nigeria. Since its inception, the festival has…
Brenda FashugbaGuest
Lauren HanceHost
What I really love about your story is that you saw something that wasn't working.

And what has that journey been like for you? I mean, up into the fringe, because you've run your fringe in a very compassionate and caring way.

We'll talk about that in a minute, but how did you start to build that and start to change your community and the way that people were being treated?

Before I got into theater, I had a side business where I was event planning.

And it was a 360 agency where we would plan from invites, catering, venue, you know, all of those things.

And then I just decided that, look, I didn't need to have too much of the profits.

But it meant that I also had to have a full-time job so that I don't starve.

With the hope that theatre was going to become lucrative as we continue to build experience, build an audience, you know, and all of these things.

I've always felt that the arts has never gotten the respect that it deserved.

I was going to do as much as I could to ensure that my name would be always on projects where people felt seen, talent was expressed.

What I really love about your story is that you saw something that wasn't working.

And what has that journey been like for you? I mean, up into the fringe, because you've run your fringe in a very compassionate and caring way.

We'll talk about that in a minute, but how did you start to build that and start to change your community and the way that people were being treated?

Before I got into theater, I had a side business where I was event planning.

And it was a 360 agency where we would plan from invites, catering, venue, you know, all of those things.

And then I just decided that, look, I didn't need to have too much of the profits.

But it meant that I also had to have a full-time job so that I don't starve.

With the hope that theatre was going to become lucrative as we continue to build experience, build an audience, you know, and all of these things.

I've always felt that the arts has never gotten the respect that it deserved.

I was going to do as much as I could to ensure that my name would be always on projects where people felt seen, talent was expressed.
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