UlyssesIn80-Reading James Joyce Masterpiece in 80 Days
Aug 21, 2026 · 46 min · 13 segments
**Clare Hutton** joins Mark Sanford Gross and Cliona O’Farrelly for the final conversation in the 2026 Speakers Series, part of Ulysses in 80’s annual 80-day global reading of James Joyce’s *Ulysses*…
Clare HuttonGuest
Mark Sanford GrossHost
Cliona O'FarrellyHost
A question that comes up then is, what does it mean to have the last word? I mean, it's a phrase we use quite a lot in ordinary speech.

Another view is that Molly has the last word and the last word is the most important.
Marriage proposal.
Yes.

And I think it's true to say that there's currently a lot of new work and energy in feminist approaches to Joyce.

In December last year, the James Joyce Quarterly described as the flagship journal in the field, published a special issue on quote unquote women's issues.

When I was an undergraduate, people used to say, well, if you want to do feminist criticism, Joyce is the writer too.

But actually, I think more than 30 years on, I think it would be true to say that Joyce has a complicated reception in relation to feminism.

He clearly noticed women in great detail and documented their intrinsic differences.

She talks about how Ulysses is full of men bantering with each other in that very masculine, mock heroic way.

One of the things I think that's really distinctive about Joyce in relation to gender is that he is an absolute genius at multi-speaker male dialogue.

So, for example, if you think about Hades, we listen in detail to the kind of conversation Cunningham, Simon Dedalus, Bloom and McCoy have four men in a taxi cab sitting opposite each other on the way to their colleague's funeral.

A question that comes up then is, what does it mean to have the last word? I mean, it's a phrase we use quite a lot in ordinary speech.

Another view is that Molly has the last word and the last word is the most important.
Marriage proposal.
Yes.

And I think it's true to say that there's currently a lot of new work and energy in feminist approaches to Joyce.

In December last year, the James Joyce Quarterly described as the flagship journal in the field, published a special issue on quote unquote women's issues.

When I was an undergraduate, people used to say, well, if you want to do feminist criticism, Joyce is the writer too.

But actually, I think more than 30 years on, I think it would be true to say that Joyce has a complicated reception in relation to feminism.

He clearly noticed women in great detail and documented their intrinsic differences.

She talks about how Ulysses is full of men bantering with each other in that very masculine, mock heroic way.

One of the things I think that's really distinctive about Joyce in relation to gender is that he is an absolute genius at multi-speaker male dialogue.

So, for example, if you think about Hades, we listen in detail to the kind of conversation Cunningham, Simon Dedalus, Bloom and McCoy have four men in a taxi cab sitting opposite each other on the way to their colleague's funeral.
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