Jul 12, 2026 · 1 hr 3 min · 16 segments
In this episode of Toasts & Jams, we welcome Harry "Reeps One" Yeff, artist, voice pioneer and creative technologist whose work sits at the intersection of human expression, artificial intelligence…
Harry YeffGuest
Alex SessionHost
So the memory I have is being in the tower block that I grew up and in the kitchen and searching...
I think there was always a natural interest to how sound and vision can sort of work together.
If I found something that it sort of felt like, I've not quite seen something like that before, I've not quite heard something like that before, or someone says something that inspires me, it just made me feel alive.
It made me feel... like there was possibility and many teachers and sometimes people around you would say something like everything's been done.
So when I heard that tune, which was kind of an introduction into the more like complex like break core and some people call it IDM, electronic or experimental.
Yeah, Venetian Snares has been sort of a pioneer in that and this sampling of classical music with really sort of just constantly very in percussion.
And it was one of those moments where it just felt like the inside of my head was externalized.
So the memory I have is being in the tower block that I grew up and in the kitchen and searching...
I think there was always a natural interest to how sound and vision can sort of work together.
If I found something that it sort of felt like, I've not quite seen something like that before, I've not quite heard something like that before, or someone says something that inspires me, it just made me feel alive.
It made me feel... like there was possibility and many teachers and sometimes people around you would say something like everything's been done.
So when I heard that tune, which was kind of an introduction into the more like complex like break core and some people call it IDM, electronic or experimental.
Yeah, Venetian Snares has been sort of a pioneer in that and this sampling of classical music with really sort of just constantly very in percussion.
And it was one of those moments where it just felt like the inside of my head was externalized.
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