Anika Allen-GrayHost
In 1948, the Nationality Act was passed, which gave people from the Commonwealth the right to live and work in Britain if they wanted.

Britain was facing a huge shortage of workers after the loss of life after the Second World War, and Caribbeans specifically were encouraged to come to the UK in the hopes of a better life, better jobs, better opportunities and better wages.

They were promised a land where the streets were paved with gold, but instead were met with a barrage of struggle, prejudice and discrimination.

Relations between the newly settled Caribbean migrants and white working class were low.

Black people were denied job opportunities, refused affordable and livable housing, and were excluded from pubs and clubs.

The competition over basic amenities and poor living conditions increased racial tensions, which led to riots breaking out in Nottingham and Notting Hill.

In Notting Hill, the Teddy Boys attacked the homes of Afro-Caribbean families and assaulted them on the streets.

A year later, Kelso Cochrane, a carpenter from Antigua, was brutally killed.

It was a racist murder, and not, as the police later claimed, an attempted robbery.

1958 is the same year that the Black and White Minstrel Show aired on the BBC.

There had been a few earlier appearances by black people on British television, including A Man from the Sun, which is said to be the first depiction of the lives of black people in the UK.


And the way that black people were seen on TV was as caricatures on the black and white minstrel show.

This was a variety show on the BBC that ran for 20 years and at its peak brought in 16 million viewers per broadcast.

Can you believe it? Minstrels were considered professional entertainers that go back as far as the 12th century and usually played wind instruments and became integral parts of town guilds, European courts and noble houses.

Black minstrelsy is an American theatrical form which is a sub-genre of the minstrel show.

White performers would paint their face black and play the roles of ignorant, lazy, joyous black people.


Jim Crow became a common stage persona for white performers' blackface portrayals of African-Americans, which seeped over to the UK.

In 1948, the Nationality Act was passed, which gave people from the Commonwealth the right to live and work in Britain if they wanted.

Britain was facing a huge shortage of workers after the loss of life after the Second World War, and Caribbeans specifically were encouraged to come to the UK in the hopes of a better life, better jobs, better opportunities and better wages.

They were promised a land where the streets were paved with gold, but instead were met with a barrage of struggle, prejudice and discrimination.

Relations between the newly settled Caribbean migrants and white working class were low.

Black people were denied job opportunities, refused affordable and livable housing, and were excluded from pubs and clubs.

The competition over basic amenities and poor living conditions increased racial tensions, which led to riots breaking out in Nottingham and Notting Hill.

In Notting Hill, the Teddy Boys attacked the homes of Afro-Caribbean families and assaulted them on the streets.

A year later, Kelso Cochrane, a carpenter from Antigua, was brutally killed.

It was a racist murder, and not, as the police later claimed, an attempted robbery.

1958 is the same year that the Black and White Minstrel Show aired on the BBC.

There had been a few earlier appearances by black people on British television, including A Man from the Sun, which is said to be the first depiction of the lives of black people in the UK.


And the way that black people were seen on TV was as caricatures on the black and white minstrel show.

This was a variety show on the BBC that ran for 20 years and at its peak brought in 16 million viewers per broadcast.

Can you believe it? Minstrels were considered professional entertainers that go back as far as the 12th century and usually played wind instruments and became integral parts of town guilds, European courts and noble houses.

Black minstrelsy is an American theatrical form which is a sub-genre of the minstrel show.

White performers would paint their face black and play the roles of ignorant, lazy, joyous black people.


Jim Crow became a common stage persona for white performers' blackface portrayals of African-Americans, which seeped over to the UK.
The rest of this transcript — segmented and speaker-labeled, so you land on the exact moment something was said
Search every transcript — by keyword, by phrase, or by meaning, across every show Radar indexes
Trends — what is surging across podcasts, measured against its own baseline
Alerts — when a name you follow appears in a newly indexed episode
No account is needed to search Radar.