Emil AmosGuestChris SlusarenkoHostAs you know, we were talking a bit about how we, before we, you know, started recording, you know, I was talking about how much I love, you know, your podcast and how much work I can tell you put into it.
It's like sound collage and heartbreaking but awe-inspiring confessional stories, how you feel about music and how you express your love for it.
Like, music destroys me, film destroys me, and I just love t- to know somebody like you who also, I think, just these things resonate in a way that we can't hold it in.

I was working probably till maybe 3:00 last night on, on the, on a new podcast, and I was struggling.

It was like a rainstorm here in Upstate New York, so I was like, I could only edit while it was raining, and I could only speak when it wasn't.

And I was just kinda going into the night, and I was just trying to describe the atmosphere around The Blackbird, like 20...

And I was trying to get into, uh, kind of the most shitty, vulnerable time of your life when you're trying to figure out how to be on stage, and be natural, and really just be yourself.

Like, you know, not be interrupted by the process of the sort of the bad side of showbiz, which is virtually impossible.

So I was trying to get into that, and I think you're sort of striking in on this, this thing that I was really struggling with 'cause I wanna, like, create the hardest types of episodes or create the hardest things to possibly explain to the layman or, or any soccer mom listening that, that doesn't have any reference point for Nurse with Wound or whatever we-

Well, and I do that inevitably 'cause I'm, I'm pretty naive in the sense that I figured everybody liked what sort of, like, inevitably might be curious about the things that, you know, we grew up in the underground with.

And so I just sort of blasted out there thinking other people had some commonality and I'm...

You know, as you get older, you sort of realize all the time possibly how alone you really are.
As you know, we were talking a bit about how we, before we, you know, started recording, you know, I was talking about how much I love, you know, your podcast and how much work I can tell you put into it.
It's like sound collage and heartbreaking but awe-inspiring confessional stories, how you feel about music and how you express your love for it.
Like, music destroys me, film destroys me, and I just love t- to know somebody like you who also, I think, just these things resonate in a way that we can't hold it in.

I was working probably till maybe 3:00 last night on, on the, on a new podcast, and I was struggling.

It was like a rainstorm here in Upstate New York, so I was like, I could only edit while it was raining, and I could only speak when it wasn't.

And I was just kinda going into the night, and I was just trying to describe the atmosphere around The Blackbird, like 20...

And I was trying to get into, uh, kind of the most shitty, vulnerable time of your life when you're trying to figure out how to be on stage, and be natural, and really just be yourself.

Like, you know, not be interrupted by the process of the sort of the bad side of showbiz, which is virtually impossible.

So I was trying to get into that, and I think you're sort of striking in on this, this thing that I was really struggling with 'cause I wanna, like, create the hardest types of episodes or create the hardest things to possibly explain to the layman or, or any soccer mom listening that, that doesn't have any reference point for Nurse with Wound or whatever we-

Well, and I do that inevitably 'cause I'm, I'm pretty naive in the sense that I figured everybody liked what sort of, like, inevitably might be curious about the things that, you know, we grew up in the underground with.

And so I just sort of blasted out there thinking other people had some commonality and I'm...

You know, as you get older, you sort of realize all the time possibly how alone you really are.
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