Sep 25, 2026 · 1 hr 50 min · 12 segments
It's time to begin a franchise that Tyler loves and Lance doesn't have much experience. Death comes for us all, so let's dive into Final Destination. Hosted on Acast. See acast.com/privacy for more…
Tyler NicholsHostLance VlcekHost
Yeah, it's funny because you definitely can tell that this has kind of that Nightmare on Elm Street feel of...

You can see this film just as a one-and-done without the sequels and everything.

You can see the... idea of this just as a yeah a singular story which it's interesting in a like the day and age of sequels and franchises or then it's like oh yeah that's cool that they were just uh Trying to make a movie.

Starring Devin Sawa, Ali Larder, Care Smith, Kirsten Cloak, Daniel Roebuck, Sean William Scott, Amanda Detmer, Chad Nella, Brandon Fair, and Mr. Tony Todd.

they do the, and when I mentioned earlier of like the strange 2000s technical things during the credit sequence, they have this weird like lighting thing, like lighting effect on all the text.

So it's very, very strange because it's like you can practically see the opacity and like, it's just, it's very strange.
But that was like the beginning of computers doing things like that easily, I think.
But yeah, I mean, I feel like a lot of these films around that era had that because it was new and it was cool.

Yeah, it's funny because you definitely can tell that this has kind of that Nightmare on Elm Street feel of...

You can see this film just as a one-and-done without the sequels and everything.

You can see the... idea of this just as a yeah a singular story which it's interesting in a like the day and age of sequels and franchises or then it's like oh yeah that's cool that they were just uh Trying to make a movie.

Starring Devin Sawa, Ali Larder, Care Smith, Kirsten Cloak, Daniel Roebuck, Sean William Scott, Amanda Detmer, Chad Nella, Brandon Fair, and Mr. Tony Todd.

they do the, and when I mentioned earlier of like the strange 2000s technical things during the credit sequence, they have this weird like lighting thing, like lighting effect on all the text.

So it's very, very strange because it's like you can practically see the opacity and like, it's just, it's very strange.
But that was like the beginning of computers doing things like that easily, I think.
But yeah, I mean, I feel like a lot of these films around that era had that because it was new and it was cool.
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