Sep 3, 2026 · 1 hr 7 min · 12 segments
This week is our first Classics Episode! A deep dive into the discography of Tori Amos. Listen along: https://www.tunemymusic.com/share/WUpzFTOpCD…
Jana PochopHost
Alexander DaoustHost
When Tori was two years old she was already reproducing pieces of music by ear that she had only heard once.

She says she has experienced chromesthesia since these early days seeing music as structures of light.

At five she became the youngest student ever admitted to The Peabody Institute for training in classical piano.

Tori said she lost her scholarship because of her interest in rock and pop music coupled with her dislike of sight reading.

At 13 Amos began playing at gay bars and piano bars in the Baltimore area chaperoned by her father who, by the way, was a Methodist minister.

At 17 her dad was sending out demo tapes to record labels and Atlantic Records signed her to a six album deal.

In 1986 she formed her band Why Can't Tori Read?, and released one album under that name.

What happened next was to me nothing short of a shift in tectonic plates of the musical landscape.

Before we get into that though in all of my studying of Tori she's very consistent in bringing up what she calls "the muses." It is not simply her inner creative voice showing up.

The muses are a separate entity, a creative force available to everyone but when she individually nurtures.

She says they aren't always easy to work with, they make her tell the truth, they inform her when her ideas are working or not working.

And to quote Tori, "It's hard to describe it, but I have a lot of faith in the muses and I serve them and I live to serve them.

I know the difference when I come up with it with them and then when they're directly channeling it to me." Now Tori has what I'll kindly call a hardcore and obsessive fan base.

And as I've griped about with other artists on this podcast I love Tori but sometimes I really can't stand her fans.

I joined the Tori subreddit and unsubscribed so fast worn down by the toxicity, the endless takes on what she should have done better in her career, what she should wear onstage now, how she should be singing, on and on.

For a lot of reasons, one being her intensely personal writing style, her fans seem to think they know better and that they have some ownership.

All of that gave me the ick while I was researching so I've decided to back off that kind of analysis entirely.

We're going to listen to 10 songs that span her career and oh my God it was hard to narrow it down to 10! And I'm gonna do my best to just let the songs and Tori and her muses speak for the work.

When Tori was two years old she was already reproducing pieces of music by ear that she had only heard once.

She says she has experienced chromesthesia since these early days seeing music as structures of light.

At five she became the youngest student ever admitted to The Peabody Institute for training in classical piano.

Tori said she lost her scholarship because of her interest in rock and pop music coupled with her dislike of sight reading.

At 13 Amos began playing at gay bars and piano bars in the Baltimore area chaperoned by her father who, by the way, was a Methodist minister.

At 17 her dad was sending out demo tapes to record labels and Atlantic Records signed her to a six album deal.

In 1986 she formed her band Why Can't Tori Read?, and released one album under that name.

What happened next was to me nothing short of a shift in tectonic plates of the musical landscape.

Before we get into that though in all of my studying of Tori she's very consistent in bringing up what she calls "the muses." It is not simply her inner creative voice showing up.

The muses are a separate entity, a creative force available to everyone but when she individually nurtures.

She says they aren't always easy to work with, they make her tell the truth, they inform her when her ideas are working or not working.

And to quote Tori, "It's hard to describe it, but I have a lot of faith in the muses and I serve them and I live to serve them.

I know the difference when I come up with it with them and then when they're directly channeling it to me." Now Tori has what I'll kindly call a hardcore and obsessive fan base.

And as I've griped about with other artists on this podcast I love Tori but sometimes I really can't stand her fans.

I joined the Tori subreddit and unsubscribed so fast worn down by the toxicity, the endless takes on what she should have done better in her career, what she should wear onstage now, how she should be singing, on and on.

For a lot of reasons, one being her intensely personal writing style, her fans seem to think they know better and that they have some ownership.

All of that gave me the ick while I was researching so I've decided to back off that kind of analysis entirely.

We're going to listen to 10 songs that span her career and oh my God it was hard to narrow it down to 10! And I'm gonna do my best to just let the songs and Tori and her muses speak for the work.
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