Jun 24, 2026 · 24 min · 10 segments
In Detroit, records were never just records. They were history, community, memory, and proof that you cared enough to go looking. In Episode 7 of *Living for the City*, host Hanif Abdurraqib explores…
Ben BlackwellGuest
Mary CobraGuestHouse ShoesGuestDJ MinxGuestLady MonixGuest
It's nothing like looking at a piece of vinyl and seeing that line to that next track.
The record shows how much you care about something, shows how much you're interested in something, shows your intention.
In 1995, when I was 12 years old, I was in the bargain bin at B&B Records on Livingston Avenue on the east side of Columbus, Ohio, and I found Mariah Carey's Music Box on cassette, and that was the first album that I purchased with my own money.
It had been marked down because it had been out a couple years, and I was the youngest of four kids, which meant that a lot of times I didn't get the radio to myself unless I was grounded or otherwise in trouble.
And so having something that was mine, something that I could put on in a Walkman whenever I wanted to, kind of felt empowering to me.
That was my first foray into record shopping, which eventually came to be something I loved deeply and still love because it gives me a sense of control and autonomy even to this day.
In this episode, I'll be chatting with Ben Blackwell, Mary Cobra, Andre Duthard, and House Shoes.
I wanted to understand what vinyl means to this city specifically, why people keep pressing records and digging for records and building institutions around records, and thinking especially about what it means when you give that thing to a person, that physical object that can change their life.
Jack White's band, The White Stripes, came up on the very vibrant and vivid rock scene that you've heard folks like Mary Cobra talk about.
Jack White no longer lives in Detroit, but he doesn't stop giving to Detroit and building something in Detroit that is sustainable.
Third Man Records has a pressing plant in the Cass Corridor, and it's very much in the business of honoring vinyl as a medium and as a philosophy.
The person who's been inside that philosophy of Jack White for decades now is Ben Blackwell.
You can visibly see the records being pressed, and you can hear them, and you can feel the process as it's taking place.
There's a smell that permeates in the back of the room when you walk back there.
It's a real, beautiful, urgent, and alive process that really defines what that space is trying to do.
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