Cameron WrightHost
Tanya CastaGuest
Nikki SanmiguelGuestThomasGuest
All right, so today we're going to be playing Iron Tomb, written by Owen O'Donnell, with art and layout by Lettuce, and edited by Deanne Wilkie.

Our vantage point starts in space, focused on a cramped, jump-capable shuttle as it slowly starts to exit hyperspace.

Swirling stars around it, stretched out, start to condense into their more natural stationary form.

As it enters real space and slows, we go through the canopy of the cockpit where the ship starts to wake.

An old-style CRT terminal on the wall pops to life as the neon glow of green tech starts to flow.

Deeper in the core of the ship, light starts to come online in the cryo chamber as hypersleep pods start to activate to waken those inside.

Nikki, is Alma in one of the hypersleep pods, or would she be awake because she's an android?

So, in this case, there is six pods total, and two of them start to come online.

All right, so today we're going to be playing Iron Tomb, written by Owen O'Donnell, with art and layout by Lettuce, and edited by Deanne Wilkie.

Our vantage point starts in space, focused on a cramped, jump-capable shuttle as it slowly starts to exit hyperspace.

Swirling stars around it, stretched out, start to condense into their more natural stationary form.

As it enters real space and slows, we go through the canopy of the cockpit where the ship starts to wake.

An old-style CRT terminal on the wall pops to life as the neon glow of green tech starts to flow.

Deeper in the core of the ship, light starts to come online in the cryo chamber as hypersleep pods start to activate to waken those inside.

Nikki, is Alma in one of the hypersleep pods, or would she be awake because she's an android?

So, in this case, there is six pods total, and two of them start to come online.
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