Pricing His Own Enslavement
An artist confronts slavery through his own image
It's New Orleans: Out to Lunch
Sep 6, 2026 · 34 min · 18 segments
The English language is tricky. Take the word “vision” for example. By one definition, vision is the ability of the eye to see what it’s looking at. The other definition of vision is about…
Marcus BrownGuest
Peter RicchiutiHost
Valen PurvisGuest
By one definition, vision is the ability of the eye to see what it's looking at.

The other definition of vision is about imagination, the ability to conjure up a picture of something beyond everyday reality.

And then there's the combination of both, where a person can be looking at the same thing you're looking at, but they see something different.

He ripped out the bus's seats, renovated the interior, installed racks and shelving, and launched transit streetwear.

Today, you can go to Transit's Instagram account, I love Transit, and find out where the bus is stopping and go clothes shopping.

Normally, when we talk about the non-literal meaning of vision, we're talking about picturing something that's going to happen in the future.

When you walk down Esplanade Avenue in New Orleans or Wall Street in New York, you see a street.

If you use an augmented reality app on your phone or other device and you point it to a QR code, you'll see what Marcus Brown sees.

In a series of works in a collection called Slavery Trails, he's created augmented reality pieces in which enslaved people appear on your device as real people.

They have the appearance and demeanor of slaves in the 1700s, but they're on the same modern street you're on right now with pedestrians, cars, and the rest of the current world going on around them.

By one definition, vision is the ability of the eye to see what it's looking at.

The other definition of vision is about imagination, the ability to conjure up a picture of something beyond everyday reality.

And then there's the combination of both, where a person can be looking at the same thing you're looking at, but they see something different.

He ripped out the bus's seats, renovated the interior, installed racks and shelving, and launched transit streetwear.

Today, you can go to Transit's Instagram account, I love Transit, and find out where the bus is stopping and go clothes shopping.

Normally, when we talk about the non-literal meaning of vision, we're talking about picturing something that's going to happen in the future.

When you walk down Esplanade Avenue in New Orleans or Wall Street in New York, you see a street.

If you use an augmented reality app on your phone or other device and you point it to a QR code, you'll see what Marcus Brown sees.

In a series of works in a collection called Slavery Trails, he's created augmented reality pieces in which enslaved people appear on your device as real people.

They have the appearance and demeanor of slaves in the 1700s, but they're on the same modern street you're on right now with pedestrians, cars, and the rest of the current world going on around them.
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3 of 8
Pricing His Own Enslavement
An artist confronts slavery through his own image
The 41 Figures Of Slavery
One artwork recreates slavery in the streets
New Orleans Underfunds Its Artists
New Orleans celebrates artists without adequately supporting them
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