Ray HarmonyHost
American band Death Cab for Cutie recently released their new album I Built You a Tower, and the song Stone Over Water is a brilliant example of how to make music that's rhythmically interesting without sacrificing its ability to move people.

And that's a vital element of music not to be underestimated, because if people can't tap their foot or bob their head along to your song, they'll find it frustrating and will probably hit that skip button.

To be clear, it's easy to make rhythmically interesting music, but the cost is usually danceability.

There's an inverse correlation between how interesting a rhythm is and how danceable it is.

I've seen them live numerous times, and watching people trying to dance to their songs is funnier than Monty Python's Ministry of Silly Walks sketch.

And then on the extreme opposite side of the spectrum, you've got the classic four-on-the-floor dance beat, which is the easiest groove to dance to, but it's also the most boring.

So how did Death Cab for QT achieve this blend of danceable yet interesting? Well, they use a less common time signature, 6-4.

That's because the most common time signature is 4-4, so 6-4 is merely 4-4 with two quarter notes added.

And 6-4 is still an even time signature, so listeners can move along to it just like they can to 4-4.

The only people who would even notice that it's an unusual time signature are musicians.

To understand why, we first have to talk about how popular musicians tend to informally group time signatures into two categories, 4-4 and odd time.

I think this is because the word odd can either mean odd as in numbers, like 3, 5, 7, etc., or odd as in unusual.

So despite the fact that it's actually an even time signature, 6-4 tends to be unofficially thrown into the odd time category.

What a rad gem! And that's why it's such a shame that there aren't way more songs in 6-4.

And on that note, please open your digital audio workstation and change your time signature to 6-4.

This increase in bar length will spark your creativity too, because you'll automatically write longer melodies, chord progressions, basslines and drumbeats.

This unusual characteristic will bring out some creative ideas, and it's also super fun to be liberated from the constraints of 4-4.

American band Death Cab for Cutie recently released their new album I Built You a Tower, and the song Stone Over Water is a brilliant example of how to make music that's rhythmically interesting without sacrificing its ability to move people.

And that's a vital element of music not to be underestimated, because if people can't tap their foot or bob their head along to your song, they'll find it frustrating and will probably hit that skip button.

To be clear, it's easy to make rhythmically interesting music, but the cost is usually danceability.

There's an inverse correlation between how interesting a rhythm is and how danceable it is.

I've seen them live numerous times, and watching people trying to dance to their songs is funnier than Monty Python's Ministry of Silly Walks sketch.

And then on the extreme opposite side of the spectrum, you've got the classic four-on-the-floor dance beat, which is the easiest groove to dance to, but it's also the most boring.

So how did Death Cab for QT achieve this blend of danceable yet interesting? Well, they use a less common time signature, 6-4.

That's because the most common time signature is 4-4, so 6-4 is merely 4-4 with two quarter notes added.

And 6-4 is still an even time signature, so listeners can move along to it just like they can to 4-4.

The only people who would even notice that it's an unusual time signature are musicians.

To understand why, we first have to talk about how popular musicians tend to informally group time signatures into two categories, 4-4 and odd time.

I think this is because the word odd can either mean odd as in numbers, like 3, 5, 7, etc., or odd as in unusual.

So despite the fact that it's actually an even time signature, 6-4 tends to be unofficially thrown into the odd time category.

What a rad gem! And that's why it's such a shame that there aren't way more songs in 6-4.

And on that note, please open your digital audio workstation and change your time signature to 6-4.

This increase in bar length will spark your creativity too, because you'll automatically write longer melodies, chord progressions, basslines and drumbeats.

This unusual characteristic will bring out some creative ideas, and it's also super fun to be liberated from the constraints of 4-4.
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