Oct 1, 2026 · 25 min · 8 segments
Daisy Edgar-Jones and Esmé Creed-Miles on in studio with us? Consider this Sarah’s pinch-me moment. The girls join us to talk about their new film, Sense and Sensibility, which by the way, is perfect…
Esme Creed-MilesGuest[laughs]
Mm
Yeah

the victim or the perpetrator, and there are all of these roles that I think depending on your upbringing, you kind of can fall into.

And I've noticed also in my, my own life that sometimes, you know, being more of a Marianne, you can take up a lot of space.
Mm.

And then I think if a, if a first child takes up a lot of space with the things that they have going on, the middle child sometimes is made to feel a little smaller.
Mm.

So in that respect, I felt like Sense was almost unique and kind of against the grain, um, because Marianne is a middle child, but she's not like a quintessential middle child, you know?
No.

Like middle children I think sometimes the stereotype is that they kind of like have to be a little smaller, because the eldest or the youngest especially takes all of the adoration or the attention from the parents.

And so I felt like Marianne kind of is outside of the box in that respect, but she feels to me almost like a youngest sibling.
Yeah.

And I think her and Margaret are kind of on a very similar wavelength with each other, and I really love that in the movie.

Mm.

And we sometimes spoke about how maybe Elinor's more like the dad, who we haven't met before, and that was quite sweet.
No, I love that.
[laughs]
Mm
Yeah

the victim or the perpetrator, and there are all of these roles that I think depending on your upbringing, you kind of can fall into.

And I've noticed also in my, my own life that sometimes, you know, being more of a Marianne, you can take up a lot of space.
Mm.

And then I think if a, if a first child takes up a lot of space with the things that they have going on, the middle child sometimes is made to feel a little smaller.
Mm.

So in that respect, I felt like Sense was almost unique and kind of against the grain, um, because Marianne is a middle child, but she's not like a quintessential middle child, you know?
No.

Like middle children I think sometimes the stereotype is that they kind of like have to be a little smaller, because the eldest or the youngest especially takes all of the adoration or the attention from the parents.

And so I felt like Marianne kind of is outside of the box in that respect, but she feels to me almost like a youngest sibling.
Yeah.

And I think her and Margaret are kind of on a very similar wavelength with each other, and I really love that in the movie.

Mm.

And we sometimes spoke about how maybe Elinor's more like the dad, who we haven't met before, and that was quite sweet.
No, I love that.
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