Tamara CallaghanHost

Now, if you haven't seen the movie, you won't understand what the wrestle is.

Alvin very kindly said to me when I asked if I was the wind beneath his wings, wings.

But I've been wrestling with this question recently, sort of subconsciously, a little bit consciously.

I'm not making pros and cons about fictional movie characters, but what I've been thinking about is this question that's been sitting there for me.


I've certainly been the performer, been the talent or the centre of attention in mild or bigger ways, bigger stages, smaller stages, training stages.

It started in school, which I think confused my whole personality about whether I even wanted to do it at all.

I was a big fish in a tiny pond and very watched, right? So I got a lot of my ego from that.

I haven't even had the chance to tell her this yet, but in her one-woman show, The Good Girl Gone Rogue, she tells a wonderful story about missing out on an opportunity to be in a play, and it drove her fuel for becoming someone who is on stage now.

And as she was telling the story, I was thinking, oh, I was the girl in the room before her that turned her off doing it, who didn't even want to be in the room auditioning for the play she had to be a part of.

So part of the reason I've always wanted to be seen is that it's how I got most of my kudos growing up.

It's how my identity was built, right? It's probably part of the reason I'm sitting here.

She's less visible, she's less celebrated, but she's deeply loving of Bette and deeply loved and deeply connected.


Now, if you haven't seen the movie, you won't understand what the wrestle is.

Alvin very kindly said to me when I asked if I was the wind beneath his wings, wings.

But I've been wrestling with this question recently, sort of subconsciously, a little bit consciously.

I'm not making pros and cons about fictional movie characters, but what I've been thinking about is this question that's been sitting there for me.


I've certainly been the performer, been the talent or the centre of attention in mild or bigger ways, bigger stages, smaller stages, training stages.

It started in school, which I think confused my whole personality about whether I even wanted to do it at all.

I was a big fish in a tiny pond and very watched, right? So I got a lot of my ego from that.

I haven't even had the chance to tell her this yet, but in her one-woman show, The Good Girl Gone Rogue, she tells a wonderful story about missing out on an opportunity to be in a play, and it drove her fuel for becoming someone who is on stage now.

And as she was telling the story, I was thinking, oh, I was the girl in the room before her that turned her off doing it, who didn't even want to be in the room auditioning for the play she had to be a part of.

So part of the reason I've always wanted to be seen is that it's how I got most of my kudos growing up.

It's how my identity was built, right? It's probably part of the reason I'm sitting here.

She's less visible, she's less celebrated, but she's deeply loving of Bette and deeply loved and deeply connected.
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