
Quentin Lee
Hong Kong-Canadian film writer
2
APPEARANCES
2
PODCASTS
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Aug 21, 2026
CARE Network Summit 2026 – can we break the cycle to prevent elderly offenders? #SGToday
8:25
8:30
8:44
8:52
9:03

Quentin LeeGUEST
... you know, we have some, we have some, uh, clients who unfortunately were, were, have been rough sleeping.

Quentin LeeGUEST
We find out that they've been rough sleeping outside because, um, perhaps they have just no place to stay, or they've, they've gone to, to different tr- uh, transition homes or shelters, um, but didn't, didn't like staying there.

Quentin LeeGUEST
So, so yeah, there are certain things that just need to be quite foundational, kind, foundational in terms of thinking about your release.

Quentin LeeGUEST
So, [cleans throat] um, in, for, for inmates that we know that have such needs, we, we definitely do, um, have a greater intensity of support for them.

Quentin LeeGUEST
Uh, so for instance, we have, uh, this, um, framework called the Through Care Management Services for Elderly Offenders, uh, TMSEO, uh, and it starts from in-care, where there's a caseworker, a counselor who is able to come in, um, talk to them.
TWPS Scary Talk - Pioneer Asian Filmmaker QUENTIN LEE Talks Queer Narratives and Asian Representation
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10:56
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14:10

Quentin LeeGUEST
Um, again, like it's just even, uh, uh, I think even with Shopping for Fangs, that when, when we released it, nobody was...

Quentin LeeGUEST
We were like, "What, what, what, what is this thing about?" [laughs] It's like, you know, why these a- why these peop- So I was just reading back, like, a, I would say a, a review I forgot from, like, San Francisco Chronicle, and, and the critic had no idea what it was about.

Quentin LeeGUEST
They, they look kinda cool and interesting, but that's about it." And they really didn't get, like, a little bit more deeper what the movie is really about.

Quentin LeeGUEST
And I think that, I, I think that a lot of times with film, film criticism is sort of like...

Quentin LeeGUEST
I honestly think because I, you know, did criticism for literary criticism, I don't think, like, film criticism is necessarily like real criticism.

Jon Lee BrodyHOST
At the same time, what about the people bringing this to life? Like, what can we do to layer this? What can we do, like, to make sure this is a felt experience as opposed to just, like, something really glossy that they can put out for, like, a summer temp fill?