Gabriela Jauregui
Mexican writer and poet
4
APPEARANCES
4
PODCASTS
024
DEC 30
JAN 6
JAN 13
JAN 20
JAN 27
FEB 3
FEB 10
FEB 17
FEB 24
MAR 3
MAR 10
MAR 17
MAR 24
MAR 31
APR 7
APR 14
APR 21
APR 28
MAY 5
MAY 12
MAY 19
MAY 26
JUN 2
JUN 9
JUN 16
JUN 23
JUN 30
JUL 7
JUL 14
JUL 21
JUL 28
AUG 4
AUG 11
AUG 18
AUG 25
SEP 1
SEP 8
SEP 15
SEP 22
SEP 29
OCT 6
OCT 13
OCT 20
OCT 27
NOV 3
NOV 10
NOV 17
NOV 24
DEC 1
DEC 8
DEC 15
DEC 22
DEC 29
JAN 5
JAN 12
JAN 19
JAN 26
FEB 2
FEB 9
FEB 16
FEB 23
MAR 2
MAR 9
MAR 16
MAR 23
MAR 30
APR 6
APR 13
APR 20
APR 27
MAY 4
MAY 11
MAY 18
MAY 25
JUN 1
JUN 8
JUN 15
JUN 22
JUN 29
JUL 6
JUL 13
JUL 20
JUL 27
AUG 3
AUG 10
AUG 17
AUG 24
AUG 31
SEP 7
SEP 14
SEP 21
SEP 28
OCT 5
OCT 12
OCT 19
Sep 24, 2026
Tsunami: Women’s Voices From Mexico
25:59
26:11
26:32
26:41
26:49
27:14

Heather ClearyGUEST
And I don't know, do you want perhaps, Gabby, to just give a little bit of an overview of what the essay addresses so that the listeners can sort of be on the same page?

Gabriela JaureguiGUEST
Sure, I will try to do it justice because it really is, it's quite a vast, you know, very, how would you say, yeah, inclusive essay that sort of very carefully, Dalia, I will add, is a philosopher by, you know, She studied philosophy.

Gabriela JaureguiGUEST
And so her grasp of very complex, you know, theoretical texts, et cetera, is excellent.

Gabriela JaureguiGUEST
And she goes on to sort of very carefully deconstruct a lot of the tenets of certain kinds of feminism.

Gabriela JaureguiGUEST
and what is now known as quote-unquote white feminism and uses quote-unquote third world feminism to do that from various texts including Sherry Moraga, Gloria Anzalúa, Bell Hooks, Audre Lorde, et cetera.

Gabriela JaureguiGUEST
So she really takes the idea or the tenet that the personal is political to the heart of her essay.
17 MINS LATER
C
44:09How do we rewrite the world with the master's tools? Can we dig into that section a bit? Gabriella, can we start with you? Sure, thank you.
Tsunami: Women’s Voices From Mexico
20:57
21:08
21:39
21:46

Heather ClearyGUEST
And I don't know, do you want perhaps, Gabby, to just give a little bit of an overview of what the essay addresses so that the listeners can sort of be on the same page? Yeah.

Gabriela JaureguiGUEST
Sure, I will try to do it justice because it really is, it's quite a vast, you know, very, how would you say, yeah, inclusive essay that sort of very carefully, Dalia, I will add, is a philosopher by, you know, She studied philosophy.

Gabriela JaureguiGUEST
And she goes on to sort of very carefully deconstruct a lot of the tenets of certain kinds of feminism.

Gabriela JaureguiGUEST
uh by and and what is now known as quote-unquote white feminism and and you know uses quote-unquote third world feminism to do that um from you know various texts including you know Sherry Moraga, Gloria Anzalúa, Bell Hooks, Audre Lorde, et cetera.
17 MINS LATER
C
39:06How do we rewrite the world with the master's tools? Can we dig into that section a bit? Gabriela, can we start with you? Sure, thank you.
Tsunami: Women’s Voices From Mexico
23:57
24:27
24:34

Gabriela JaureguiGUEST
I will try to do it justice because it really is, it's quite a vast, you know, very, how would you say, yeah, inclusive essay that sort of very carefully, Dalia, I will add, is a philosopher by, you know, She studied philosophy.

Gabriela JaureguiGUEST
And she goes on to sort of very carefully deconstruct a lot of the tenets of certain kinds of feminism.

Gabriela JaureguiGUEST
and what is now known as quote-unquote white feminism and uses quote-unquote third world feminism to do that from various texts including Sherry Moraga, Gloria Anzalúa, Bell Hooks, Audre Lorde, et cetera.
17 MINS LATER
C
41:54How do we rewrite the world with the master's tools? Can we dig into that section a bit? Gabriela, can we start with you? Sure, thank you.
Tsunami: Women’s Voices From Mexico
20:57
21:10
21:24
21:30
22:13
22:23

Heather ClearyGUEST
Um, and I don't know, do, do you want perhaps, Gabby, to just give a little bit of an overview of, of what the essay addresses so that the listeners can sort of be on the same page?

Gabriela JáureguiGUEST
I, I will try to do it justice because it really is, it's a, it's a quite a vast, uh, you know, very, um, how would you say? Yeah, inclusive essay, uh, that sort of very carefully...

Gabriela JáureguiGUEST
Dalia, I will add, is a philosopher by, you know, um, she studied philosophy.

Gabriela JáureguiGUEST
But, uh, and so her grasp of very complex, um, you know, theoretical texts, et cetera, is excellent, and she goes on to sort of very carefully deconstruct a lot of the tenets of certain kinds of feminism, uh, by, and w- and what is now known as, quote unquote, "white feminism." And, and, you know, uses, quote unquote, "Third World feminism" to do that, um, from, you know, uh, d- various texts including, you know, Cherríe Moraga, Gloria Anzaldúa, uh, bell hooks, Audre Lorde, et cetera, um, and then from her own experience.

Gabriela JáureguiGUEST
So she really takes the idea or, or the noti- you know, the, the tenet that, uh, the personal is political to her, the heart of her essay.

Gabriela JáureguiGUEST
And so she goes on to argue and finesse sort of, you know, if feminism is to be a liberatory movement, or if the women's movement is about liberation, then we really have to be wary and careful of, you know, as Cristina mentioned, these exclusio- you know, these practices of exclusion, of, uh, the classist and racist, uh, elements that are not like the exception of feminism, but are also to be found at its roots.
16 MINS LATER
C
39:07How do we rewrite the world with the master's tools?" Can we dig into that section a bit? Uh, Gabriela, can we start with you?