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Bernard Jazzar

Art historian and curator of the Lynda and Stewart Resnick Collection; co-founder and president of the Enamel Arts Foundation in Los Angeles.

Oct 6, 2026

33:52
And that's one thing that, you know, isn't taken into consideration for that.
33:56
No, but technology has changed enough now you have no reason not to, right? I mean, even making a record of what you created and posting it, you can make a website.
34:08
You can do anything these days.
34:10
It's so easy.
34:11
And when you think... 60 years ago or so, it was much more difficult.
34:16
And yet people persevered and found a way to keep track of it.
34:20
They typed all this information.
38:18
enameled.
1:58
Do you know when and did you do it together? How did you find this medium?
2:03
It started with me in 1981.
2:06
I was living in Norman, Oklahoma.
2:09
I was interested in making art, and someone suggested I take an enabling workshop that was being offered by the local art center in Norman, Oklahoma.
2:19
And so I enrolled in this course, which was supposed to be 12 weeks.
2:24
but the instructor only showed up for three of them.
2:27
But it made me fall in love with the transformative power that comes with sprinkling glass powder onto a metal surface, heating it up, and what resulted was just magical.

15 MINS LATER

17:41
And we recognize that this would be of great significance to the field itself to learn more about its own history.

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