May 31, 2026 · 30 min · 14 segments
Send us Fan Mail Ahead of her highly anticipated return to the Kiln Theatre following her debut at the RSC’s The Other Place, the indomitable Ellen…
Carlos TsengHostNo entities detected.

Um, you know, it has, you know, very Gothic, you know, family secrets inside it as well.

Um, how do you sort of, like, maintain that sort of stamina to do, you know, a two-hour 40-minute play with all this geopolitics going on as well? [laughs]
It is very Shakespearean in its depth and breadth and characters, big, bold characters.
Venezuela, [laughs] um, Haiti, and just like, "Oh my goodness, I don't believe this is happening." It's how many, what? 50, 60 years later, and the Americans and that situation all happening all over again.
When we were reading the play in the rehearsal, we, we just couldn't believe how it resonated with what was going on today, not just in terms of immigrants and families, um, moving around to better themselves and create lives for themselves.
It really, really, it totally was a wake-up call for most of us in the rehearsal room.

Um, you know, it has, you know, very Gothic, you know, family secrets inside it as well.

Um, how do you sort of, like, maintain that sort of stamina to do, you know, a two-hour 40-minute play with all this geopolitics going on as well? [laughs]
It is very Shakespearean in its depth and breadth and characters, big, bold characters.
Venezuela, [laughs] um, Haiti, and just like, "Oh my goodness, I don't believe this is happening." It's how many, what? 50, 60 years later, and the Americans and that situation all happening all over again.
When we were reading the play in the rehearsal, we, we just couldn't believe how it resonated with what was going on today, not just in terms of immigrants and families, um, moving around to better themselves and create lives for themselves.
It really, really, it totally was a wake-up call for most of us in the rehearsal room.
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