Ad ana Adonai tishkacheni netzach? Ad ana tastir et panecha mimmeni? Until-- for how long, Hashem, are you going to forget me forever? F-for how long, tastir et panecha mimmeni, will you cover your face from me? If you look, the word ana, okay? The first one is ad ana Adonai tishkacheni netzach, and then it's repeated again in the pasuk.
Yes.
Ad ana tastir et panecha mimmeni.
Now, the sec- Why it says until when? Then it says, uh, forever.
Until when will you for- will you, uh- Yes.
He says- ...forget me forever? Forget me forever.
It's, it's just poetic way of emp-emphasizing the- Make it stronger ...yeah, emphasizing the, the feelings of loneliness on part of David-- on part of the, on part of the musician here.
But if you look, the word ana is used twice.
Ad ana Adonai tishkacheni netzach.
And then it's used again, ad ana, until when are you going to cover your face from me? Now, the second time it says the word ana, the- There is a- ...the, the tune is the shalshelet tune.
Yes.
So it's ad aana.
You have to sit on it and you wait on it.
And the idea is the ana is like the emphasis.
It's like he's sitting and waiting.
How long- Yes ...is this, is this hester panim, is the covering of God's face going to last? Pasuk three.
Ad ana ashit 'etzot be-nafshi.
Until how long will I have to be thinking of plans in my heart? Yagon bi-lvavi yomam.
Will it be sorrow in my heart all day? Ad ana-- or again, ad aana yarum oyevi alai.
It's different.
It's different.
Even stronger.
No, it's, it's also again, two anas in the pasuk.
Shalshelet.
And the second one is a shalshelet, which is like a pause again.
Ad ana Adonai tishkacheni netzach? Ad ana tastir et panecha mimmeni? Until-- for how long, Hashem, are you going to forget me forever? F-for how long, tastir et panecha mimmeni, will you cover your face from me? If you look, the word ana, okay? The first one is ad ana Adonai tishkacheni netzach, and then it's repeated again in the pasuk.
Yes.
Ad ana tastir et panecha mimmeni.
Now, the sec- Why it says until when? Then it says, uh, forever.
Until when will you for- will you, uh- Yes.
He says- ...forget me forever? Forget me forever.
It's, it's just poetic way of emp-emphasizing the- Make it stronger ...yeah, emphasizing the, the feelings of loneliness on part of David-- on part of the, on part of the musician here.
But if you look, the word ana is used twice.
Ad ana Adonai tishkacheni netzach.
And then it's used again, ad ana, until when are you going to cover your face from me? Now, the second time it says the word ana, the- There is a- ...the, the tune is the shalshelet tune.
Yes.
So it's ad aana.
You have to sit on it and you wait on it.
And the idea is the ana is like the emphasis.
It's like he's sitting and waiting.
How long- Yes ...is this, is this hester panim, is the covering of God's face going to last? Pasuk three.
Ad ana ashit 'etzot be-nafshi.
Until how long will I have to be thinking of plans in my heart? Yagon bi-lvavi yomam.
Will it be sorrow in my heart all day? Ad ana-- or again, ad aana yarum oyevi alai.
It's different.
It's different.
Even stronger.
No, it's, it's also again, two anas in the pasuk.
Shalshelet.
And the second one is a shalshelet, which is like a pause again.
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