Aug 18, 2026 · 1 hr 43 min · 13 segments
Gary, Pearl, and Lune meet Joy Ackerman, a young trapeze artist who claims a mysterious circus is calling her back. Her story may be the key to finding Sisna, who is already lost inside its…
[gentle music] I've got a question first before we get to stuff.
I want to start off the top with Cisna.
I want your scene that you owed us at the end of last time.
Maya, vibe us in.
What's the scene you've got for us?
Last time, I marked the ashen circle from Verse of Prophecy.
There are the soft sounds of what kind of sounds like when you take scissors and you slide it over, you know, smoothly over wrapping paper, that nice slicing sound.
And we see a sun-bleached-haired young girl in this, like, orphanage room.
There's, like, a bunch of, you know, beds or cots.
And an old woman comes into the room and drops her tray of food, um, and screams.
[screaming] The tips of this little girl's hair is sticky and wet and clumpy.
Um, she looks behind her as she's sitting on the ground.
The camera pulls back from the girl.
The girl's pants are soaked black.
There are red smudges on her face, and she says, "He was hungry." And there are four empty beds.
Three of them have tape on the, on the po- bed posts.
The blankets are messed up, and piled beyond the girl in front of her are piles of butchered meat.
The window is open.
The curtains are blowing in the wind.
Only the girl sees the red eyes in the shadow.
Hell yeah.
So where do we pick up with Gary, Pearl, and Lune?
I mean, I, out of character, feel like it would be good to maybe investigate Either the Skeleton family ranch at this point-
Yeah
[gentle music] I've got a question first before we get to stuff.
I want to start off the top with Cisna.
I want your scene that you owed us at the end of last time.
Maya, vibe us in.
What's the scene you've got for us?
Last time, I marked the ashen circle from Verse of Prophecy.
There are the soft sounds of what kind of sounds like when you take scissors and you slide it over, you know, smoothly over wrapping paper, that nice slicing sound.
And we see a sun-bleached-haired young girl in this, like, orphanage room.
There's, like, a bunch of, you know, beds or cots.
And an old woman comes into the room and drops her tray of food, um, and screams.
[screaming] The tips of this little girl's hair is sticky and wet and clumpy.
Um, she looks behind her as she's sitting on the ground.
The camera pulls back from the girl.
The girl's pants are soaked black.
There are red smudges on her face, and she says, "He was hungry." And there are four empty beds.
Three of them have tape on the, on the po- bed posts.
The blankets are messed up, and piled beyond the girl in front of her are piles of butchered meat.
The window is open.
The curtains are blowing in the wind.
Only the girl sees the red eyes in the shadow.
Hell yeah.
So where do we pick up with Gary, Pearl, and Lune?
I mean, I, out of character, feel like it would be good to maybe investigate Either the Skeleton family ranch at this point-
Yeah
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