Jul 3, 2026 · 50 min · 12 segments
In this episode, Michelle speaks with acclaimed bass Matthew Rose about life as an opera singer, the realities of building a sustainable career, and his passion for mentoring the next generation…
Matthew RoseGuestMichelle LynneHost
Diana PetreHost
I haven't played golf for a very long time and I like playing golf and I'd like to have four hours a week where I could go and play golf would be nice, please.

So this is actually a wonderful festival that exists just outside of London called Grange Park Opera.

So in the 1930s, Glyndebourne happened to exist, which is, you know, a man, John Christie, decided that he wanted to start an opera festival.


And as a result of that, and Glyndebourne being so popular, other festivals like Glyndebourne have existed.

So there's Garsington and Grange Park, and very confusingly, the Grange Festival and Longborough Festival.

So even though we don't have as many major opera houses through our country as we should, And we do have these wonderful summer festivals that in June and July are thriving and giving amazing work to British singers and other people and opera makers, you know, costume people and everything.

You know, it's just an amazing resource for people that do opera in the UK to have some work at this time of year.
So going back to these summer programs that you're putting on for other singers, tell me more about what inspired you to start this and knowing that you have so little time and energy, why is this important to you?

I haven't played golf for a very long time and I like playing golf and I'd like to have four hours a week where I could go and play golf would be nice, please.

So this is actually a wonderful festival that exists just outside of London called Grange Park Opera.

So in the 1930s, Glyndebourne happened to exist, which is, you know, a man, John Christie, decided that he wanted to start an opera festival.


And as a result of that, and Glyndebourne being so popular, other festivals like Glyndebourne have existed.

So there's Garsington and Grange Park, and very confusingly, the Grange Festival and Longborough Festival.

So even though we don't have as many major opera houses through our country as we should, And we do have these wonderful summer festivals that in June and July are thriving and giving amazing work to British singers and other people and opera makers, you know, costume people and everything.

You know, it's just an amazing resource for people that do opera in the UK to have some work at this time of year.
So going back to these summer programs that you're putting on for other singers, tell me more about what inspired you to start this and knowing that you have so little time and energy, why is this important to you?
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