Sep 15, 2026 · 1 hr · 14 segments
Favel Parrett is the award-winning Australian author of *Past the Shallows*, *When the Night Comes*, *There Was Still Love*, *Wandi* and *Kimmi*. In this episode, Favel talks about daydreaming as her…
Favel ParrettGuest
Adam RainfordHost

One thing that's helped me with this is – The way Australian books are kind of treated in the UK has made me angry.

It doesn't matter how good the cover is and they'll – Just terrible covers and the books then don't do well.

I just got this feeling that like we're like still the colony to them and it's so probably not true but it spurs me on for Australian writers to write about Australia and sell more.

I've been reading recently about art world in the 20s and 30s in Australia and how everybody would buy, most people would buy art from Europe and England because there was no duty on the art.

So they could buy it for cheap, bring it to Australia, and no one was buying Australian art or hiring Australian portrait artists And luckily some artists got together and lobbied the government and that was changed and it created art in Australia really where people could make a living and it happened very quickly.

And I guess that's cultural cringe, isn't it? Like you can't have an Australian painting in your house.

You have to have something from the masters in England or Europe and that changed it and I feel really excited about that.

You know, it won't be long until it's regular that there's Australian writers in the Booker Prize and all of those.


One thing that's helped me with this is – The way Australian books are kind of treated in the UK has made me angry.

It doesn't matter how good the cover is and they'll – Just terrible covers and the books then don't do well.

I just got this feeling that like we're like still the colony to them and it's so probably not true but it spurs me on for Australian writers to write about Australia and sell more.

I've been reading recently about art world in the 20s and 30s in Australia and how everybody would buy, most people would buy art from Europe and England because there was no duty on the art.

So they could buy it for cheap, bring it to Australia, and no one was buying Australian art or hiring Australian portrait artists And luckily some artists got together and lobbied the government and that was changed and it created art in Australia really where people could make a living and it happened very quickly.

And I guess that's cultural cringe, isn't it? Like you can't have an Australian painting in your house.

You have to have something from the masters in England or Europe and that changed it and I feel really excited about that.

You know, it won't be long until it's regular that there's Australian writers in the Booker Prize and all of those.
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