Script to screen: Luke Cloarec

So, so far, I'm interested in talking about this next one as well.

What are some of the obstacles that you had to overcome?

I think the biggest one, and this has always been my favorite part of filmmaking.

So now that I'm in film school and we have all this fancy equipment, it's like, I don't know.

I am missing this part of it.

But like back in the day when we're like filming everything on our iPhones, like I'd be we'd be making a movie.

I'd have my friend like sitting on the couch for the scene.

And we're like, I would love like I didn't even know what it was called, but I'd love a shot like a slider shot, basically.

But I'd love a shot that goes here and just moves across the room like this.

All we have is an iPhone and a tripod.

So how are we going to do that? And then it's like.

Oh, well, I have a train table that has pull out bins with wheels on it.

You can use those and put it in there.

And then those ended up getting sold at one point.

So then we didn't have that option.

So it's like, huh, I have a bunch of Lego cars that we can put around each foot of the tripod.

So I think it's like just been like the lack of equipment, I think really helps to make people get creative and think out of the box.

I think that's how you get cool stuff.

For sure.

Those are some smart ideas.

Everyone that's listening, you just got some valuable insights right there.

You got to use what you have and you never know.

That usually brings out the best work in a filmmaker.

Yeah, exactly.

I think Like for any independent filmmaker, the struggle is often like film equipment is so expensive.