Helping Writers Become Authors
Aug 31, 2026 · 22 min · 12 segments
How do you identify your writing weaknesses? And, even more importantly, how can you tell if something really *is* a weakness? In this episode, I share five ways writers can recognize recurring craft…
K.M. WeilandHost
If I ask you to identify your writing weaknesses for me, how does that make you feel about your writing right now? If you're in one of those rarefied states of supreme satisfaction, I congratulate you.

But after two decades of pursuing my own writing and hearing from countless fellow writers, I know it's more likely you're experiencing at least a twinge of doubt.

The great news is that identifying your writing weaknesses isn't evidence you're failing.

Throwing that idea out the window as early as possible removes unnecessary pressure to judge yourself by your mistakes because you will make mistakes.

In so complex an art form as narrative fiction, every writer will confront a never-ending stream of writing weaknesses.

So what are common weaknesses in writing? The list is endless, but a few writing weaknesses you might relate to include unclear character motivation, weak story structure, uneven pacing, flat dialogue, vague descriptions, inconsistent POVs, underdeveloped conflict, and weak beginnings or endings.

Now, if you have identified any one of these writing weaknesses, or one of a million more, then what this recognition actually means is that you've graduated to a higher level as a writer.

And this is really the piece of the conversation I've become more interested in since I first shared about writing weaknesses all those years ago, because it's one thing to recognize something that's difficult for you, and it's another thing to decide whether it actually needs fixing.

Years ago, I first encountered the following quote attributed to popular radio personality Ira Glass and instantly felt its deep resonance.

He said, all of us who do creative work, we get into it because we have good taste.

Writing is a journey of never-ending learning that can leave even experienced writers gasping and overwhelmed in the face of their own inadequacies.

But as newspaper editor Verlin Klinkenborg encourages in his pithy book Several Short Sentences About Writing, whenever you get a glimpse of your ignorance, don't fear it or be embarrassed by it.

If I ask you to identify your writing weaknesses for me, how does that make you feel about your writing right now? If you're in one of those rarefied states of supreme satisfaction, I congratulate you.

But after two decades of pursuing my own writing and hearing from countless fellow writers, I know it's more likely you're experiencing at least a twinge of doubt.

The great news is that identifying your writing weaknesses isn't evidence you're failing.

Throwing that idea out the window as early as possible removes unnecessary pressure to judge yourself by your mistakes because you will make mistakes.

In so complex an art form as narrative fiction, every writer will confront a never-ending stream of writing weaknesses.

So what are common weaknesses in writing? The list is endless, but a few writing weaknesses you might relate to include unclear character motivation, weak story structure, uneven pacing, flat dialogue, vague descriptions, inconsistent POVs, underdeveloped conflict, and weak beginnings or endings.

Now, if you have identified any one of these writing weaknesses, or one of a million more, then what this recognition actually means is that you've graduated to a higher level as a writer.

And this is really the piece of the conversation I've become more interested in since I first shared about writing weaknesses all those years ago, because it's one thing to recognize something that's difficult for you, and it's another thing to decide whether it actually needs fixing.

Years ago, I first encountered the following quote attributed to popular radio personality Ira Glass and instantly felt its deep resonance.

He said, all of us who do creative work, we get into it because we have good taste.

Writing is a journey of never-ending learning that can leave even experienced writers gasping and overwhelmed in the face of their own inadequacies.

But as newspaper editor Verlin Klinkenborg encourages in his pithy book Several Short Sentences About Writing, whenever you get a glimpse of your ignorance, don't fear it or be embarrassed by it.
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