Oct 12, 2026 · 43 min · 11 segments
A former detective along with Florida MUFON Director Matt Kellison examines what may be the only UFO footage ever recorded inside an alien craft during an alien abduction - 43 seconds long, unedited…
The tower gives us one measurable reference point outside the frame, but deeper in this recording, there are two separately produced enhancements that appear to reveal forms and structures that are almost invisible in the original.
Later, we'll share those, and we'll place the enhanced sequences there so you can compare them to the untouched recording.
I'll include the features that analysts identified frame by frame, but first, there's something repeatedly moving across the overhead light.
A dark object repeatedly enters the top of the frame, crosses the luminous area, disappears, and then returns.
And, and, and then if, if you can see, it's not rotating around that central disc.
Um, you know, it's coming from the, the, you know, the, the right-hand side of the frame, and it travels upward to the, uh, the top.
And w- what I found was, so there's, in the whole video, uh, uh, uh, there are 49 frames where this object, I don't call it a s- the ceiling fan blade.
I, um- Um, I, because it's, it's obvious that it's not a ceiling fan blade when you, uh, look at some of these frames.
I mean, it, um, it morphs into what looks like an or-organic, um, um, you know, like almost like an appendage.
And, uh, there's a, a few frames where, where you can see, like, these little circles on them, and it kinda reminded me of, um, uh, like an octopus' suckers, um, the prehensile suckers on an octopus arm.
Um, sometimes it's like a pointed, uh, triangle, but in all of the frames, it looks organic, um, you know, to me.
But, um, so there's 49 frames where this object is in view, um, and in total it makes 17 passes.
Um, and then there are three separate sequences where, you know, it's y- y...
And you can see it in the v- in the very first second, I think it's, it's, it's visible.
Um, so there's three separate sequences during the video where it comes back into view.
And what I found unusual was, um, I figured that, um, man, if this was a ceiling fan, then we should have like, um, a periodic timing, um, a regular peri-periodic timing, uh, for a symmetrical fan.
And what I found was that if you count the number of frames, um, and what I did is there's, on that disc there, um, there's a white s- like s- object or, or coloration underneath the, the bottom of the disc.
And so I kinda used that as a reference point, and every time that the object passed over that, I, I marked the frame.
The tower gives us one measurable reference point outside the frame, but deeper in this recording, there are two separately produced enhancements that appear to reveal forms and structures that are almost invisible in the original.
Later, we'll share those, and we'll place the enhanced sequences there so you can compare them to the untouched recording.
I'll include the features that analysts identified frame by frame, but first, there's something repeatedly moving across the overhead light.
A dark object repeatedly enters the top of the frame, crosses the luminous area, disappears, and then returns.
And, and, and then if, if you can see, it's not rotating around that central disc.
Um, you know, it's coming from the, the, you know, the, the right-hand side of the frame, and it travels upward to the, uh, the top.
And w- what I found was, so there's, in the whole video, uh, uh, uh, there are 49 frames where this object, I don't call it a s- the ceiling fan blade.
I, um- Um, I, because it's, it's obvious that it's not a ceiling fan blade when you, uh, look at some of these frames.
I mean, it, um, it morphs into what looks like an or-organic, um, um, you know, like almost like an appendage.
And, uh, there's a, a few frames where, where you can see, like, these little circles on them, and it kinda reminded me of, um, uh, like an octopus' suckers, um, the prehensile suckers on an octopus arm.
Um, sometimes it's like a pointed, uh, triangle, but in all of the frames, it looks organic, um, you know, to me.
But, um, so there's 49 frames where this object is in view, um, and in total it makes 17 passes.
Um, and then there are three separate sequences where, you know, it's y- y...
And you can see it in the v- in the very first second, I think it's, it's, it's visible.
Um, so there's three separate sequences during the video where it comes back into view.
And what I found unusual was, um, I figured that, um, man, if this was a ceiling fan, then we should have like, um, a periodic timing, um, a regular peri-periodic timing, uh, for a symmetrical fan.
And what I found was that if you count the number of frames, um, and what I did is there's, on that disc there, um, there's a white s- like s- object or, or coloration underneath the, the bottom of the disc.
And so I kinda used that as a reference point, and every time that the object passed over that, I, I marked the frame.
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