Liz KnowlesGuest
Judy MinotHost
I wanna know also, give me an example of something that you, that you needed a visual to explain.

So what I've discovered over the years, and I've found this a very handy, uh, visual to put up, is that kind of everything for me in practice falls under kind of three lenses, three sensory data gathering, feedback, observing.

But when you dig into these lenses of seeing, hearing, and then feeling, I think it's really helpful for people to kind of literally visualize them.

The seeing thing, you know, in practice, whether you're using a mirror, whether you are videoing yourself, whether you're going to a teacher that is looking at you, whether you are teaching somebody, whether you are playing with somebody else, you're playing music with somebody and you are watching them, whether you go to a session and you see a fiddle player do a bow triplet for the very first time, I know that was a huge, that was a huge thing for me when I was learning Irish music.

So it's this idea of using these lenses as ways of not only gathering what we need to do, uh, or inspiration for what we'd like to do, but the how to, you know? A- and then being able to look at ourselves and fix the problems that come up within that.

I mean, how many times can you see stress in your hand, or tension? How many times can you see buoyancy and flow and ease? A lot of people come to me saying, "You know, I'd like to play faster.

I'd like this to feel easier." Sometimes the key is to just see it in themselves.

If they can see it in themselves, they fix the problems that actually make that come true for them.

Are you, are you worried about that shift you're about to make on the fiddle? Are you excited about playing a certain tune? Do you feel really relaxed because you have played this tune for 12 years? Um, are you nervous because you're about to go on stage? All of those things are feelings that affect...

I mean, tho- those are things that affect our playing, and sometimes adjusting just that is such a, a, a great way of fixing problems.

Sometimes I think we think practice is all the technique, and it's all the getting our bodies to do certain things, but it's the mind-body connection, and if you're not looking at every w- piece of that, um, then you might be missing the kind of... that, that little door that just opens into the ease that you're looking for.

I wanna know also, give me an example of something that you, that you needed a visual to explain.

So what I've discovered over the years, and I've found this a very handy, uh, visual to put up, is that kind of everything for me in practice falls under kind of three lenses, three sensory data gathering, feedback, observing.

But when you dig into these lenses of seeing, hearing, and then feeling, I think it's really helpful for people to kind of literally visualize them.

The seeing thing, you know, in practice, whether you're using a mirror, whether you are videoing yourself, whether you're going to a teacher that is looking at you, whether you are teaching somebody, whether you are playing with somebody else, you're playing music with somebody and you are watching them, whether you go to a session and you see a fiddle player do a bow triplet for the very first time, I know that was a huge, that was a huge thing for me when I was learning Irish music.

So it's this idea of using these lenses as ways of not only gathering what we need to do, uh, or inspiration for what we'd like to do, but the how to, you know? A- and then being able to look at ourselves and fix the problems that come up within that.

I mean, how many times can you see stress in your hand, or tension? How many times can you see buoyancy and flow and ease? A lot of people come to me saying, "You know, I'd like to play faster.

I'd like this to feel easier." Sometimes the key is to just see it in themselves.

If they can see it in themselves, they fix the problems that actually make that come true for them.

Are you, are you worried about that shift you're about to make on the fiddle? Are you excited about playing a certain tune? Do you feel really relaxed because you have played this tune for 12 years? Um, are you nervous because you're about to go on stage? All of those things are feelings that affect...

I mean, tho- those are things that affect our playing, and sometimes adjusting just that is such a, a, a great way of fixing problems.

Sometimes I think we think practice is all the technique, and it's all the getting our bodies to do certain things, but it's the mind-body connection, and if you're not looking at every w- piece of that, um, then you might be missing the kind of... that, that little door that just opens into the ease that you're looking for.
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