Jun 26, 2026 · 1 hr 16 min · 13 segments
DJ history you haven't heard: Kelly Reverb returns to A DJ's Journey — our first-ever two-time guest — for a deep dive into 1980s and '90s Dallas dance music. From the legendary Starck Club (designed…
Kelly ReverbGuest
DJ DeckardHost
You know, just for making a phone call to my homies and giving them good news.
Hey, Hey guy, you're going to make some money and you're going to play on a Wednesday.
Well, here's, you know, we're going to give you $2 a head on this, blah, blah, blah.
And at what point then, so I guess when did the record business kind of crater? What year was that around?
Uh, well, I mean, around the time of Napster and that was, I like to say it like this.
So we sound really old, the turn of the century, uh, you know, but I think I, I think my last record that I put out, uh, on Lone Star was probably like, I want to say 2002, 2003.
But that's also when, um, different software was coming, uh, available to produce.
So Reason was a big software from, you know, from Cubase and Logic and all that stuff.
But then, you know, by that time, you know, when the records cratered, then there was no way, like, if you weren't already established, how do you, how do you sell an MP3? You know, like there's nothing tactile about an MP3 and there's no branding happening.
You know, just for making a phone call to my homies and giving them good news.
Hey, Hey guy, you're going to make some money and you're going to play on a Wednesday.
Well, here's, you know, we're going to give you $2 a head on this, blah, blah, blah.
And at what point then, so I guess when did the record business kind of crater? What year was that around?
Uh, well, I mean, around the time of Napster and that was, I like to say it like this.
So we sound really old, the turn of the century, uh, you know, but I think I, I think my last record that I put out, uh, on Lone Star was probably like, I want to say 2002, 2003.
But that's also when, um, different software was coming, uh, available to produce.
So Reason was a big software from, you know, from Cubase and Logic and all that stuff.
But then, you know, by that time, you know, when the records cratered, then there was no way, like, if you weren't already established, how do you, how do you sell an MP3? You know, like there's nothing tactile about an MP3 and there's no branding happening.
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