Yeah.

Um, the second difference is the ending.

The, back to the melancholy thing, the theatrical cut has a happy ending.

It has this footage repurposed from B-roll shot for The Shining, um, of a kind of bucolic forest, uh, you know, nature, and up until that point, up- all we've seen is this dystopian LA.

And then the third thing is there's the insertion of, of, um, Deckard having a dream of a unicorn running through the forest, which on the standard reading establishes definitively that Deckard himself is a replicant.

And I wanna just begin by, uh, proposing that the question of whether Deckard is a replicant is kind of orthogonal to the main themes of the movie.

Um, and this is a kind of problem I have with the, the Final Cut that it, it emphasizes that so decisively.

Mm.