Sounds better on a 12-string.

The F chord, meaning the nut position F chord, the beginner's cowboy version of the F chord, but with the little finger stopping the G on the first string, the high E string.

And so it's often called an F9 chord because that's how the guitarist would think of it as an F chord with an added ninth.

And that would sound on a solo six-string acoustic, which is likely what John Lennon was trying different chords out on in talking to George Martin, would've sounded like this.

[plays chord] Okay.

Now, apparently that was one of several different chords John tried for George Martin, and it wasn't completely invented at that point.

In fact, Lennon and Harrison had used that same voicing in Cry For A Shadow.

[laughs]

That don't worry, baby...

It's under George's ostinato, obviously.

Then to talk about the retransition itself, the bridge, what I want to talk about is how Ringo sets it off with a big crash.

And then you get nothing.

You get stop time.

Paul does his guitar solo.

And then Lennon comes in.

And then the last instrumental, well, actually not the last, but the last