V
Viola Evang
1
APPEARANCES
1
PODCASTS
012
DEC 30
JAN 6
JAN 13
JAN 20
JAN 27
FEB 3
FEB 10
FEB 17
FEB 24
MAR 3
MAR 10
MAR 17
MAR 24
MAR 31
APR 7
APR 14
APR 21
APR 28
MAY 5
MAY 12
MAY 19
MAY 26
JUN 2
JUN 9
JUN 16
JUN 23
JUN 30
JUL 7
JUL 14
JUL 21
JUL 28
AUG 4
AUG 11
AUG 18
AUG 25
SEP 1
SEP 8
SEP 15
SEP 22
SEP 29
OCT 6
OCT 13
OCT 20
OCT 27
NOV 3
NOV 10
NOV 17
NOV 24
DEC 1
DEC 8
DEC 15
DEC 22
DEC 29
JAN 5
JAN 12
JAN 19
JAN 26
FEB 2
FEB 9
FEB 16
FEB 23
MAR 2
MAR 9
MAR 16
MAR 23
MAR 30
APR 6
APR 13
APR 20
APR 27
MAY 4
MAY 11
MAY 18
MAY 25
JUN 1
JUN 8
JUN 15
JUN 22
JUN 29
JUL 6
JUL 13
JUL 20
JUL 27
AUG 3
AUG 10
AUG 17
AUG 24
AUG 31
SEP 7
SEP 14
SEP 21
SEP 28
OCT 5
OCT 12
OCT 19
OCT 26
Jun 4, 2026
ep 119 - High-End Anamorphics From Filmmakers: Inside Glaswerk's Lenses – CineD Focus Check
5:14
5:21
5:28
5:41
5:56

Johnnie BehiriHOST
But what was it for you? When did you say something is missing? Describe this moment.

Viola EvangGUEST
Okay, well, we had a lot of equipment here for our own productions, but also rented this out since there was no rental at that time.

Viola EvangGUEST
And so one of our clients asked us if we could build him some anamorphic lenses out of old Schneider and Isco projection lenses.

Viola EvangGUEST
And then he came over with a box full of anamorphic projection attachments like the Esco Blue Star and the HD Plus, I think, the spherical projection lenses.

Viola EvangGUEST
And he wanted to shoot with real 3D anamorphic with lots of CGI and we said, well, don't use this.
8 MINS LATER