Why do you think the orchestras can enhance, you know, everyone from a Faye Webster to a Dua Lipa to, you know, Aerosmith, Anderson Paak, all these people who are doing it?

Yeah, I mean, I think...

it comes back to kind of what I was saying before.

And it's just like, it's just a unique sound.

I mean, I don't know if you've been, you know, been in a studio in that situation, but it's just such a unique experience and an energy.

There's just an energy to like having that many people around.

So there's so much, at least in my experience and the kind of work I'm doing, there's so much buildup to it because it takes so much preparation.

And so, you know, like, how do you think that, you know, from that, like, kind of pure, like, logistical way, like, why do you think the orchestra can, like, like, filter in, you know, and just work so well and not, you know, be overpowering?