So give us some behind-the-scenes stories on this one.

Yeah, that's another sculpt by Christian.

I'm going to say those words a lot.

So Christian is our in-house digital.

He started with us a few years ago, a local guy from the same town as our studio.

We actually were on like a countrywide search for an in-house digital artist and wound up finding a guy that was 0.6 miles away from the studio.

Wow.

We also see this one right over

Tom Spina Designs had made, let's point out that the costumes were all screen used except for the farm boy Luke, right?

Yes.

And this was, this was another interesting challenge.

And it, and it's probably another, you know, reason that they come to a studio like ours.

We're very familiar with movie costumes.

Um, we work with them every day.

At the moment, oh, gosh, I would have to ask the keeper of the binder, but Christine has a board at the shop right now with all of the costume displays we have going.

Oh

So give us some behind the scenes stories on this one.

Yeah, that's another sculpt by Christian.

I'm going to say those words a lot.

So Christian is our in-house digital.

He started with us a few years ago, a local guy from the same town as our studio.

We actually were on like a countrywide search for an in-house digital artist and wound up finding a guy that was 0.6 miles away from the studio and And he had to learn a bit on the job.

He was still, you know, getting his footing, but he learned so fast and he's so freaking talented.

I think that works out very well.

was it later on in the second movie that they made some giant heads for close-ups and stuff?

Yes, in particular on the Mogwai.

And we worked on a giant Daffy and a giant Gizmo with the Rambo thing on his head and everything.

And if you don't mind jumping around, I mean, those two oversized mogwai...

So a normal mogwai is like, you know, less than 12 inches tall, right? Like 10 inches, something like that.

Really small, really limited on what you can get in there.

And in fact, on both films, they used swap-out faces so that they could have different expressions... and the mechanics wouldn't have to go as far.

Are the first film, Mogwais and Gremlins, or either or, more prone to decay and destruction over time because of the way they were built? Or is it sort of...