[laughs]

You know, this kid from Canada who just moved down here on a James Bond.

It was like, it w- that was just a ...

It floored me.

The, the writers, Jeff Pisko- and, and Steve Dubin, you know, I knew of.

You know, they did great work, and, uh, I expected a phone call from somebody saying, "Here's what, here's how we want you to do it." But I'm- they, they just said, "Tim, we like what you've been doing.

Do it your own way.

So how does that work with those artists? What e- what sort of day-to-day d- goings on were you having with them?

Yeah.

[Singing] You're going nowhere.

You stumble and fall.

You're moving too fast.

And you can't make it all, no. Oh, yeah.

[Singing] She's no good for you.

She's no good for you.

So how does that work with those artists? What, what sort of day-to-day d- goings-on were you having with them?