Money sometimes can take you in directions that perhaps you never thought you, you saw yourself going, and it's hard to bring yourself back to that point where- You know, I got into this because it was different.

The last commercial magazine I, I got involved in was in 2016, which is about 10 years ago, when Edward Enninful was the fashion director at W Magazine, and they asked if I would get involved to, uh, create a direction on an issue, and they would give me complete freedom.

Conceptually, I wanted to make a magazine where the power had gone down, and so that everything went back to being handmade.

I always had to have people who were really skillful at doing all the technical stuff that I just didn't have the patience or the skills or the brain to get my head around it.

So I think that the concept was sticking the contents of really good photography from Steven Meisel, Steven Klein did the cover over the previous September issue.

So getting back to a sense of energy that you can get when you physically make something.

And I think that applying or creating restrictions is part of what I always saw as the toolbox, certainly in my studio, and that people that would come through the studio would often be encouraged to, what I'd say, break the grid.

Have you seen any of Simon Foxton's AI imagery?