Yeah.

I was so taken back because, you know, in the same way that Aaron, like, watches the cinematography and coloring and all those sort of things about movies, I can't help but listen to the score and think about everything that's going on and are you actually scoring this movie or are you just putting music in when you want to? There are so many places in this movie where there is just ubiquitous, nonstop droning keyboards.

Yeah.

No music, no nothing underneath it.

It is just people in a room talking.

[laughs]And when you pick up on it, it's so obvious and jarring.

There's no feel to this moment because there's no music.

There's no underscore here.